A Quote by Rich Sommer

I think not every improviser is a good stage actor. Certainly not every stage actor is a good improviser. — © Rich Sommer
I think not every improviser is a good stage actor. Certainly not every stage actor is a good improviser.
I'm an improviser at heart, when I'm writing, I'm improvising in my head. When you're an improviser on stage, you can never be precious about anything, you can't control what anyone else is going to do. The best stuff comes out of moments of inspiration that spontaneously happen.
I started off on stage because it was the only work I could get. I haven't been back for 11 years. I think any stage experience is good experience, as far as being an actor is concerned.
If you're an actor, a real actor, you've got to be on the stage. But you mustn't go on the stage unless it's absolutely the only thing you can do.
In my career, I've had kind of a strange trajectory as an actor. I started out doing movies and theater and stuff, but then I had a terrible problem with stage fright as an actor on stage, and I quit stage acting for a long, long time.
I knew I was a good stage actor but I had no idea about movies. And I wasn't a Paul Newman type of guy. That's why I thought the stage is just right for me.
I'm more of a writer than an actor, and I used to say that I'm mostly an improviser, though I haven't improvised in awhile.
An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.
If you're a good improviser, you improvise well enough that people think that you're doing a sketch.
I've always wanted to be an actor. I didn't get into this game to be the best improviser in the world. I didn't choose improv as a stepping stone, it just happened to become one.
In Manhattan, every flat surface is a potential stage and every inattentive waiter an unemployed, possibly unemployable, actor.
I think for anyone - male or female - in improv, the biggest thing to get over is the fear. I think every improviser has that.
That was my original dream, anyway, to be on stage. I think the stage is an actor's place because actors, it belongs to you.
You have to know composition to be a good improviser.
Understanding listening is an epiphany moment for every improviser. At least for me it was.
I realized that I needed to be anonymous on the street and somebody else on the stage. I had tried to put my street self on the stage, but what they want is an actor on stage.
There's work for everybody, and I believe every actor gets what he/she deserves. Honestly, I just want to work as long as I can and do great films and act with every good actor around.
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