A Quote by Rich Sommer
Anytime you're on camera, 95 percent of whatever character you're playing, unless you're Daniel Day-Lewis - or maybe, no, pretty much just him - you're cast because you're you.
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I meet Daniel Day-Lewis. He's just sitting in a chair on the set. Now, I had been told that Daniel Day-Lewis was kind of an intense person. And he's really not. He's really THE MOST INTENSE PERSON THAT HAS EVER EXISTED ON THE PLANET OF EARTH. He's not doing anything, he's just sitting in a chair, and I am terrified of him as if a jungle cat has wandered onto the set, like- WHOA! What do we do! Are we supposed to move around a lot or stay perfectly still?! What are the rules of Daniel Day-Lewis?!
You have to be completely in the character, and that's so hard to do. That's why, when they call, 'Cut!,' you often feel yourself shift. Unless you're Daniel Day Lewis, who stays in character all the time, there's a switch that happens.
You know the way there are two kinds of actors - the De Niro kind who's always De Niro, and then somebody like Daniel Day-Lewis, who transforms himself eerily? Well, I aim to be the Daniel Day-Lewis kind of writer. I don't have a house style.
The dream would be to work with my two favorite actors, Daniel Day Lewis and Cate Blanchett. Or playing Joaquin Phoenix's brother in a film. Basically anything where I get to act opposite actors like these; ones who bring a certain caliber to their work and literally morph into the character they are playing.
I've heard of actors like De Niro and Streep who stay in character all day long. And Daniel Day-Lewis did it for 'My Left Foot.' I don't do that myself.
Daniel Day-Lewis is particularly a sort of beacon I've been following for some time. For God's sake, I'm not even in his league but he inspires me because he's not interested in playing himself; he's only interested in playing other people and the whole thing is like an adventure for him, it seems to me. It's some kind of spiritual exploration, which is an amazing, noble thing.
I could do Daniel Day-Lewis's job as well as him.
I am Damian Lewis, not Daniel Day-Lewis.
Daniel is traveling tonight on a plane. I can see the red tail lights heading for Spain and I can see Daniel waving goodbye. God it looks like Daniel, must be the clouds in my eyes. They say Spain is pretty though I've never been, well Daniel says it's the best place that he's ever seen. And he should know, he's been there enough. Lord I miss Daniel, oh I miss him so much.
Some people have heard of The Method, which originally goes back to Stanislavski... he gave you six major pointers whereby you became that character and tried to fool your mind psychologically. That's it in a nutshell. Daniel Day Lewis is an example of somebody like that who stays in character between takes.
'Lincoln' is impressive enough to almost make you forget how much Daniel Day-Lewis dominates the endeavor.
There is no such thing as too much rehearsal. When Daniel Day-Lewis told Steven Spielberg he needed a year for 'Lincoln,' I understand that.
When you introduce a character and show him for the first time, don't show him fully lit. Don't show him one hundred percent to the audience. Show maybe fifty percent or sixty percent so the audience can fill in the dark spots.
There's so much emphasis on Daniel Day-Lewis and his process, which is appropriately his own. But I was just blown away by his generosity as an actor. He's so giving as an actor that he just naturally commands the focus on set.
Al Pacino, De Niro, Daniel Day Lewis - they're the best out there because everything they do comes from a very honest place.
You can't have the real thing on camera - that's the nature of cinema. When you see people like Daniel Day-Lewis and Ralph Fiennes screaming and hyperventilating, you're seeing the phoniest kind of bad acting. You may as well have a 'men at work' sign. It's not acting if you can see it.
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