A Quote by Reif Larsen

How many snapshots in the world were actually just-after shots, the moment that elicited the shooter to press the button never captured; instead, the detritus just following, the laughter, the reaction, the ripples.
I own a few thousand snapshots, which is small by the standards of most collectors I know. I generally only buy photos I think I may actually be able to use in a book one day. I need that focus when buying, because without it I'd just buy everything and my house would be overrun with bucket loads of snapshots; there are just too many beautiful images in the world, and I'd need to own them all.
Do you press the "pause" button - the "until" button in life by saying "I can't be happy until..."? All this accomplishes is a delay in your entry into your innate state of happiness, which is independent of outer circumstances. So press the "play" button and rejoice in the now-ness of the moment!
I've been learning when to block shots against who I'm playing. I'm not just going to leave a shooter to go block shots.
I tell women to not make hasty decision based on circumstances on just that moment in time. Press the pause button.
A photograph is a moment when you press the button. It will never come back.
A photograph is a moment - when you press the button, it will never come back.
To act out something or take chances in the performance is one thing. But in terms of a camera, whatever's captured is captured so that's a little more daunting. You know you can't go back next week and fix it. Whereas in a live audience you know it's so in the moment and you just go with what's happening. First of all you never have to see it again so you don't know if you were really fulfilling it or not.
How many times have you tried to solve “the problem”? you’ll be trying to solve it not just until you die but for many more lifetimes. Instead, understand that this world is just the play of the senses. It’s the five khandhas doing their thing; it has nothing to do with you. It’s just people being people, the world being the world.
The world really changed after 9/11, not just in the tragic way, but in every way. So it took me a couple of years to even understand how my art form I could process any of this. When the world changed, eliciting laughter with subjects that were funny to me before 9/11 just didnt seem good enough.
Press the button, pump the water, build the pressure, push the piston, press the button. It's the perfect job.
You have a tendency to just remember the bad times and bad moments. I think that often it's the way of life. Yet the rewards we got from it were fantastic and we played a lot of shows to sellout audiences in I don't know how many cities. I just think we didn't realise how insane it was until we were actually right in the middle of it and couldn't stop. We just couldn't stop.
The one thing about kids is that you never really know exactly what they're thinking or how they're seeing. After writing about kids, which is a little bit like putting the experience under a magnifying glass, you realize you have no idea how you thought as a kid. I've come to the conclusion that most of the things that we remember about our childhood are lies. We all have memories that stand out from when we were kids, but they're really just snapshots. You can't remember how you reacted because your whole head is different when you stand aside.
I absolutely loved working with Mahesh Bhatt. He and I were so much in tune that he would just press a button and I would start.
How many times have you heard a person in a workplace say, "I wasn't trained for this!" That's an impossible reaction from a physicist, who would say, instead, "Cool. A problem I've never seen before. Let's see how I can figure out how to solve it!"
I'll never understand how a man can live his life With his finger on the self-destruct button, Holding it there day after day, Blinded by an obsession to press it But lacking the conviction to do even that.
A shooter takes shots, a shotter makes shots.
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