A Quote by Rem Koolhaas

It is not possible to live in this age if you don't have a sense of many contradictory forces. — © Rem Koolhaas
It is not possible to live in this age if you don't have a sense of many contradictory forces.
We believe that we live in the 'age of information,' that there has been an information 'explosion,' an information 'revolution.' While in a certain narrow sense this is the case, in many important ways just the opposite is true. We also live at a moment of deep ignorance, when vital knowledge that humans have always possessed about who we are and where we live seems beyond our reach. An Unenlightenment. An age of missing information.
I think it is optimistic and positive - it's quite contradictory in that sense - from the lyrics. Until you actually read them, maybe they can seem contradictory.
Historical sense and poetic sense should not, in the end, be contradictory, for if poetry is the little myth we make, history is the big myth we live, and in our living, constantly remake.
Just as discipline and freedom are opposing forces that must be balanced, leadership requires finding the equilibrium in the dichotomy of many seemingly contradictory qualities between one extreme and another.
Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.
That's why we call this a dark age. It's a dark age in the sense that there are so many people on the earth who are un-attuned that they create such a level of white noise, in a sense, that it drowns out things that we'd like to see.
Each building has to be beautiful, but cheap and fast, but it lasts forever. That is already an incredible battery of seemingly contradictory demands. So yes, I'm definitely perhaps contradictory person, but I operate in very contradictory times.
If you are trying to aid people in the process of self-discovery, what you have to do is confound them with so many concepts that are contradictory, yet each make complete sense in its own right.
We live in an age disturbed, confused, bewildered, afraid of its own forces, in search not merely of its road but even of its direction. There are many voices of counsel, but few voices of vision; there is much excitement and feverish activity, but little concert of thoughtful purpose. We are distressed by our own ungoverned, undirected energies and do many things, but nothing long. It is our duty to find ourselves.
And a beautiful world we live in, when it is possible, and when many other such things are possible, and not only possible, but done-- done, see you!-- under that sky there, every day.
I need to find avenues to express all of my creativity. There's always polarizing forces. Sometimes I feel like my work is going in different directions, but hopefully it's just expanding. And I think as much as possible to just let ourselves be in all the various aspects. I feel more inspired by people who just will let themselves be as creators, and I don't think it has to be contradictory.
The road itself is informative, because it forces you to respond spontaneously and to encounter the unexpected. It forces you to reassess what you felt about people or issues or places, and it forces you to live in the present.
Life has all of these contradictory feelings and contradictory results. People spend their whole lives struggling to get what they think they want, and even if they get it, they find that it's either not what they wanted, or it comes with so many unwanted consequences. We're always shut off from pure joy.
The myths and legends about Faerie are many and diverse, and often contradictory. Only one thing is certain - that nothing is certain. All things are possible in the land of Faerie.
No matter what, I will always prefer a live performance. Whether it be a play or a musical, or playing music live. As long as it's live, it's the best because there's sort of an immediacy to connection between an audience and a performer, whereas where you do film or television, you're at the whim of so many different forces.
We know the surrealist solution: concrete irrationality, objective risk. Poetry is the conquest, the only possible conquest, of the 'supreme position', 'a certain position of the mind from where life and death, the real and the imaginary, the past and the future... cease to be perceived in a contradictory sense.'
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