A Quote by Rhea Ripley

Because I talk too fast and I start stuffing up my words, I start mumbling and stuttering. I just have to remember to slow down. — © Rhea Ripley
Because I talk too fast and I start stuffing up my words, I start mumbling and stuttering. I just have to remember to slow down.
I am starting to talk fast now, and I have to remember to slow down because when I get excited, I start to sound like myself and my American accent goes away.
My mind still runs too fast. If we get the wrong fabric or something is stitched the wrong way, I get so angry and so flummoxed that I start spelling my words, just to slow myself down.
I think any start has to be a false start because really there’s no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it’s really a false start is when you start … it’s hard to put into words.
"My swing is too fast" may be the biggest misconception ever. Think about it. If you take a fast, lousy swing and slow it down, all you've got left is a slow, lousy swing. Most people swing too slow, not too fast.
When I start gearing up to do each new season of 'Murdoch', my wife will often catch me out. I start speaking differently. I start enunciating, and start using certain highbrow words, and things like that.
When I was young, I was too slow. I thought I must learn to run fast by practicing to run fast, so I ran 100 meters fast 20 times. Then I came back, slow, slow, slow.
I just hear a beat and start mumbling words. I just hear sounds and rhythms, and it just kind of comes intuitively. Formatting a song, figuring out a flow, how I respond to the beat.
And I start to say, no. Start to ask him to please just take it off and put it away. Start to explain how it holds far too many memories for me. But then I remember what Damen said once about memories - that they're haunting things. And because I refuse to be haunted by mine - I just take a deep breath and smile when I say, "You know, I think it looks really good on you. You should defiantly keep it.
When I was young, I was too slow. I thought I must learn to run fast by practicing to run fast, so I ran 100 meters fast 20 times. Then I came back, slow,slow,slow. People said, 'Emil, you are crazy. You are training like a sprinter.'
Slow down. The party won't start until I get there - Jo, Remember me. Page 43.
Just too much fast thinking all the time. I think of so many things all at once, it gets exhausting. You start seeing all of these connections around you . . . Everything is connected, composed, coordinated, choreographed. If you start paying attention to these connections, it can drive you insane. And that's why making work is so good, because that's when I'm not thinking, just making.
I write when the urge hits me, getting the words down as fast as I can type and then I step back from what I just wrote and start a dialectical process where I begin challenging my own writing.
I've been falsely accused of drawing too much from real life. But I am a petty thief - I take little things. And, I mean, I can hardly write 10 words before I start to make things up. I start to invent, because that's what I want to do. I'm running away to an invented place.
[Buckminster Fuller] was quite willing to talk. He'd talk at the drop of a hat.I learned to talk in front of people by listening to the way he did things. Because he would give lessons in how to lecture. He would say, "Never take a note, just stand up and start babbling. And then eventually you're going to be able to make some coherent statements, and so it's like you're vamping. And then people will gradually start to listen to you when this spot of logic shows up in this torrent of verbiage.
I write lyrics really fast. When it's time to write, I usually put them off until the very end and then when it's time to write I can just sit down: I sing the melody, whatever the melody is, because that's the first thing that's already been there for a long time; I start singing it and I start creating consonants and vowels; then they turn into words; then all of the sudden one sentence will happen; then that sentence will dictate how the rest of the sentences happen.
The cure for moving too fast is just to slow down.
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