A Quote by Rhys Darby
When I was a kid I thought I saw a ghost in the forest when I was on a bush walk, like a walk through the forest. I saw something weird pass from one side of the track to the other, and it was sort of a white, blurry... it's hard to describe, really, something that was almost see-through but it just moved in front of me. It was definitely something you could tell was there, and it really freaked me out. I think I was probably 10, and I ran all the way home.
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When I was a kid, I thought I saw a ghost in the forest when I was on a bush walk, like a walk through the forest. I saw something weird pass from one side of the track to the other, and it was sort of a white, blurry... it's hard to describe, really - something that was almost see-through, but it just moved in front of me.
People just like the thrill of anything. Dangerous things and dark things are exciting. Like as a kid, I knew I wasn't going to get killed if I went into the Haunted House but you kind of feel like you are. And when it comes out the track the other side, it's like, "we're still alive"! And I find it really funny when adults get really scared because I've not been really scared since I saw Jaws when I was a little kid. I just think people like the thrill of it, they like to feel like they accomplished something, that they survived the movie.
I think humor really is the most effective way for me personally to express myself. When I see an incredible formalist painting, I respect it. I really do. I see its history and I get it. But when I pass something weird or something funny, I totally associate with it. I find myself thinking about it later that day. That's how I know something is thought provoking. That's how I know something is effective.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
Making my way downtown, walking fast, faces pass, and I'm home bound. Staring blankly ahead, just making my way, making a way, through the crowd. And I need you, and I miss you, and now I wonder... If I could fall, into the sky. do you think time, would pass me by? 'Cause you know I'd walk a thousand miles, if I could, just see you tonight.
The only way to really change perceptions, to break down barriers, break down homophobia, is through representation. That's definitely not something I had as a kid. I never saw a gay athlete kissing their boyfriend at the Olympics. I think if I had, it would've made it easier for me.
Inspiration is a really hard thing to describe, but it's something that triggers your brain, like the first time I heard a certain guitar player that I loved or the first time that I saw a monster or the first time that I saw anything that really was an epiphany for me. It just stays with you your whole life.
There's something that I can't describe about the city [Portland] that I really love - just physically - how it feels to walk around there, and have coffee there. Also, the way that it's a little overcast sometimes. Something about Portland just really resonated with me.
It's the only way I really know how to tell the story is to be able to kind of live through the characters. So when I find something that resonates with me, it's usually because it cuts to something very real inside of me; something that I've gone through or experienced.
I think whenever you go through something of that nature, you get to see who's really on your side and who's really there for you. That happened in my case. And it really let me understand that no matter how small of a decision you make, it's going to have a subsequent action or reaction, and something that started out very innocent turned into the tragedy that it was.
As an author, I don't really think too much about being a celebrity. It's not like being a movie star or a TV star. It's not as if people recognize me when I walk down the street. That hardly ever happens, and it's just as well. But it is great when people know my books, when I walk through an airport and see them in the bookstore, or when I see someone reading a book on a plane or on a train, and it's something I've written. That's a wonderful feeling.
I got scouted when I was 16, almost 17, and it was something that had never entered my thoughts. I never thought I could be a model. I was such a tomboy growing up, and I've never really been into makeup or anything like that, so it was really surprising, but I definitely saw it as an in for acting.
A couple days ago, I saw a lot of people tweeting, 'Oh, it's so cool 'Home' is being used in the Olympics!' We don't really get to watch much TV, man, with the concerts every night, but I wish I could have seen it. I really just found out through Twitter and my management texting me. I thought it was really awesome.
Great. So if I saw a guy standing still, and he wasn't wearing an old uniform, I just had to ask him to walk through furniture. If he stared at me like I was crazy, then I'd know he wasn't a ghost. - Chloe
He is not easy to describe. There is something wrong with his appearance; something displeasing, something downright detestable. I never saw a man I so disliked, and yet I scarce know why. He must be deformed somewhere; he gives a strong feeling of deformity, although I couldn’t specify the point. He’s an extraordinary-looking man, and yet I really can name nothing out of the way. No sir; I can make no hand of it; I can’t describe him. And it’s not want of memory; for I declare I can see him this moment.
I certainly wasn't able to get it when I was a kid growing up on the Lower East Side; it was very hard at that time for me to balance what I really believed was the right way to live with the violence I saw all around me - I saw too much of it among the people I knew.
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