A Quote by Riccardo Tisci
I was the last one of nine kids - eight girls and me last - and my sisters were going out. They were teenagers. And as they were getting ready, I would sit on the bathtub and watch them put on makeup and transform themselves - you know, putting on clothes and giggling about the boys they were going to meet and everything. So for me, that was an amazing thing - the fact of transforming themselves.
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I was raised a Calvinist. You might think you know what that means, but let me explain it the way my mother preached it to my three sisters and me back when we were at home: 'I buy my girls Calvin Klein clothes, so that's all they know. Then, when they graduate from college, they have to figure out how to pay for them themselves.'
My theory for a good interview is to listen to a person and react. I would always ask a question that was pertinent to the mindset of the talent, whether it was who they were going to meet, where they were going to meet them, and what they were going to do.
I began to understand that there were certain talkers - certain girls - whom people liked to listen to, not because of what they, the girls, had to say, but because of the delight they took in saying it. A delight in themselves, a shine on their faces, a conviction that whatever they were telling about was remarkable and that they themselves could not help but give pleasure. There might be other people - people like me - who didn't concede this, but that was their loss. And people like me would never be the audience these girls were after, anyway.
Why were the little girls all frightened To be just what they are The boys were told to ask themselves How high how far The girls were told to reach the shelves While the boys were reaching stars That's why little girls were frightened To be just what they are.
My sisters were teenagers when I was born, so the last thing they wanted was a little nappy-headed boy running around. I would imitate them or copy things off TV.
You never knew the last time you were seeing someone. You didn't know when the last argument happened, or the last time you had sex, or the last time you looked into their eyes and thanked God they were in your life.
After they were gone?
That was all you thought about.
Day and night.
I was thinking how amazing it was that the world contained so many lives. Out in these streets people were embroiled in a thousand different matters, money problems, love problems, school problems. People were falling in love, getting married, going to drug rehab, learning how to ice-skate, getting bifocals, studying for exams, trying on clothes, getting their hair-cut and getting born. And in some houses people were getting old and sick and were dying, leaving others to grieve. It was happening all the time, unnoticed, and it was the thing that really mattered.
In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.
Part of my evolution has been to learn how painful most people's childhoods are. They grow up not liking themselves, not loving themselves. Ask people if they were lovable the minute they were born, and watch them sit back and have to think about it. One lady said, 'I suppose so.' That's painful.
Let me tell you what is interesting about the administration. We had Central American miners that were placed in Ohio, and we never knew a thing about it. We didn't know where they were. And, in fact, we know now that some of them, there is a case going on where some of them may have been human-trafficked.
And there were other rocks that were like animals, creeping, horrible animals, putting out their tongues, and others were like words I could not say, and others like dead people lying on the grass. I went on among them, though they frightened me, and my heart was full of wicked song they put into it; and I wanted to make faces and twist myself about the way they did, and I went on and on a long way till at last I liked the rocks and they didn’t frighten me any more
Grunge gave me a sense of identity, and I remember really associating with 'Silverchair,' who were these chilled-out Australian teenagers. The fact that they were teenagers was a big deal for me. It was like, 'Oh, man, you don't have to be a 30-year-old to do this.'
First I went to a Jewish school, when I was very little. But when I was 12, they put me in a school with a lot of traditions, and they were educated people and they were talking about Greece and the Parthenon and I don't know what. All the kids, all the girls they had already seen that and knew that from their family, and I would say, "What are you talking about, what's that?" It's not my world. My grandparents were very well-educated people, but in the Jewish tradition. They knew everything about the Bible.
You break your neck, you don't know what's going to happen. I mean, it's foreign. You're in this body that you thought you were - that you were accustomed to, and now you're not. You have to figure out everything. I think the biggest thing for me was getting a license, because it gives you - it gives you your independence back.
I'm pretty interested in documentary film, and I'd watch almost anything. At some point, I stumbled upon 'shoot interviews' and found out that wrestlers were now talking openly about things that were going on in wrestling that we as viewers were not privy to. This fascinated me.
There was a loneliness because kids my age had video games, tennis. They traveled. They had beautiful clothes. I was wearing my sisters' old clothes that were adjusted on me, because we didn't have money to buy clothes. So that really made me go deep inside on my heart, because the only things I could have with me were my heart and my brain.
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