A Quote by Richard Attenborough
I very, very, very rarely lose my temper. I do get cross sometimes when encountering something that I feel is improper, that I feel is lacking in justice and equity, and this all sounds very pompous and over the top - but these are the things that really upset me: intolerance, prejudice etc. I suppose in more mundane matters, I'm impatient.
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I don't get angry very often. I lose my temper rarely. And when I do, there's always a legitimate cause. Normally I have a great lightness of being. I take things in a very happy, amused way.
Acting, believe it or not, can get very self-involved! I feel fortunate to have been able to work on things with people who have a very specific point of view and perspective, and who feel like they're doing something very active.
A certain construct of emotions that really define who you are and who you will become and I feel very much that my childhood is very alive inside of me, very close to me, very much part of me. And it's a sometimes painful, sometimes joyous inexhaustible resource for poetry.
I get really very upset when I'm voted out, and I feel very disappointed.
It's funny how that comes up, because sometimes I'll write something and I'll think, I don't know if that's a film or a play, and then other things I feel very strongly about them just being plays - they feel very theatrical to me.
I feel very, very upset that, when it came time for me to get an Academy Award, that I didn't especially thank Clint Eastwood.
To me, when one is writing sometimes about a very specific subject with very specific people, I feel like if that story doesn't cross over, it's not working. That's very beautiful to me, to be sitting in Berlin and there's an actor reading my book in German. I don't even know what's going on, except I know to feel my own rhythms in another language and say, "If this is going well, I think everyone should laugh around now." Then maybe there's laughter, and for me, it reminds me of how story can move around the world.
For me, the costume is very important. More the feel of it than the look of it. I take it more from the inside. So if I wear something that's heavy, it will affect my character. Is it very tight, and do I feel almost imprisoned, or is it very comfortable? It's the feeling of the costume that tells me where to go with the character.
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
I always do very detailed demos. I feel that it's better to show the director a demo that sounds as close to the final thing as possible with samples. It takes time to create, but I feel that it's better to get the director on board very early on in terms of the sounds that I have in my head.
You're faced with creation, you're faced with something very mysterious and very mystical, whether it's looking at the ocean or being alone in a forest, or sometimes looking at the stars. There's really something very powerful about nature that's endlessly mysterious and a reminder of our humanity, our mortality, of more existential things that we usually manage to not get involved with very often because of daily activity.
I very, very rarely get the opportunity to go shopping and actually feel the clothes and try things on. I love shopping, but I do it mostly through Net-a-Porter.
I wake up very early every morning and I have my coffee at 6:30. If it comes at 6:35, I'm very upset. I don't say anything but I'm upset because I'm so punctual in doing things, that if I lose five minutes I have to rush everything.
I'll put 'Stranger Things' up there with the best of it. I think it's such a profound show - it's very subtle in the way that it tells its story, but it's very effective. Every time I watch it, I feel something, which is very rare for me.
Endemic is a very hard, a very wide ranging word. I also have to be very careful not to prejudice the course of justice that is taking place now.
My parents and grandparents always made me feel fortunate. I'm in a position to help others feel the same. It's just in my heart and is something I feel very very strong about.
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