A Quote by Richard Dawkins
Commonsense lets us down, because commonsense evolved in a world where nothing moves very fast, and nothing is very small or very large; the mundane world of the familiar.
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It's very enigmatic because of course, the population [of North Korea] has no contact with the world outside or it's very, very limited. They don't have any telephone connections, no radio, no TV, no movies, no newspapers - nothing from the outside world. This is very strange and there's the very strict, unifying government that forces you to be in step. You see it in the stadium where the spectators create, by flipping cards, an image of the dear leader, or of the volcano, and it's made of a 100,000 human pictures.
I guess I was very fortunate; I had a very very, lets put it this way, I had very wonderful upbringing and a childhood where my parents, of course, exposed us to many cultural aspects, not only of India but other parts of the world.
The Second Amendment is very important, but we have to have commonsense gun safety.
Sadio Mane is a world-class player. He is almost perfect. He moves very fast, controls the ball well and is very intelligent in his movements.
There is nothing in the world like the rush of going down a mountain and harnessing all that energy and all that gravity and using it for your own pleasure. There's just nothing like skiing. It's very similar to surfing. I don't surf, but it's very similar to surfing. There's just nothing like it. It's amazing. You have to try it.
You get a kind of surreal feeling and also it allows you to focus on the things we want you to focus on in a new way - the stuff that's very small and mundane that happens in a person's life when they're in a hotel room. There's more interest because you're seeing a puppet do things that you're very familiar with that you might not notice if it was a human doing it.
I live in a very small house, but my windows look out on a very large world.
The world is large, very large. My head is small, quite small. There is no way I can put the world in my head. Nevertheless, I have been trying to elaborate some kind of representation.
Much of economics isn't difficult, or rather, the difficulty is in cooking up arguments to "prove" that commonsense conclusions are wrong. The fact is that many commonsense conclusions are quite correct, and it takes a lot of education to get you to believe different.
Nothing very very good and nothing very very bad ever lasts for very very long.
There is nothing more nervous than a million dollars - it moves very fast, and it doesn't speak any language.
In the world of computers and just devices in general, the lifespan, or the shelf life, is relatively short just because technology moves so fast and the costs drop so quickly and the power, whether it's computing power or memory rises very, very quickly.
Philosophy can be said to consist of three activities: to see the commonsense answer, to get yourself so deeply into the problem that the common sense answer is unbearable, and to get from that situation back to the commonsense answer.
It's a wonderful thing to be able to create your own world whenever you want to. Writing is very pleasurable, very seductive, and very therapeutic. Time passes very fast when I'm writing-really fast. I'm puzzling over something, and time just flies by. It's an exhilarating feeling. How bad can it be? It's sitting alone with fictional characters. You're escaping from the world in your own way and that's fine. Why not?
I perceive the world in fragments. It is somewhat like being on a very fast train and getting glimpses of things in strange scales as you pass by. A person can be very, very tiny. And a billboard can make a person very large. You see the corner of a house or you see a bird fly by, and it's all fragmented. Somehow, in painting I try to make some logic out of the world that has been given to me in chaos. I have a very pretentious idea that I want to make life, I want to make sense out of it. The fact that I am doomed to failure - that doesn't deter me in the least.
Do not be afraid of large patterns, if properly designed they are more restful to the eye than small ones: on the whole, a pattern where the structure is large and the details much broken up is the most useful...very small rooms, as well as very large ones, look better ornamented with large patterns.
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