A Quote by Richard Gere

From a Buddhist point of view, emotions are not real. As an actor, I manufacture emotions. They're a sense of play. But real life is the same. We're just not aware of it. — © Richard Gere
From a Buddhist point of view, emotions are not real. As an actor, I manufacture emotions. They're a sense of play. But real life is the same. We're just not aware of it.
We play many emotions in our careers, emotions that in real life we would perform just once. For example, my character has died in about 10 films, so you have to keep searching for different ways to do it!
Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.
To be a performance artist, you have to hate theatre. Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.
As an actor, you can't play a flashback; you can't play someone's memory. You just have to play each circumstance as if it was real and understand that person's point of view.
I just like to be real and just express real emotions and talk about real life.
We're in the business of using real emotions to bring pretend emotions to life.
Sometimes people think that regulating their emotions means trying to act as if they don't have feelings. But, that's not the case. A realistic view of emotions shows that we're capable of experiencing a wide range of emotions, but we don't have to be controlled by those emotions.
I think everyone's pretty much the same underneath. The collective unconscious is a real thing. There's only a few emotions, and we all have them. There's, like, seven emotions. So personal is universal. Everyone experiences confusion, joy and pain, just in different forms.
At the heart of any drama, there's conflict. When you are acting, you get to play out the confrontations you want to have in real life but can't. Or the emotions that you would want to have in real life, but sometimes they are too difficult.
I'm much more Buddhist. I mean, I'm not a Buddhist. I should be so lucky to be a Buddhist, a real Buddhist, but of all the things I investigated, that seems to make the most sense to me.
During the match I just try to put the emotions aside. I don't have time to think about my emotions. I have to play one point at a time.
I used to hide my real emotions in gobbledegook, like in In His Own Write. When I wrote teenage poems, I wrote in gobbledegook because I was always hiding my real emotions from Mimi.
For an actor, for me, I love being able to tap into just heavy emotions. I don't need to be balling in every scene, but I just love to feel different emotions when heading to set. It's a lot of fun to play with.
When I was in college, I did sort of want to be a journalist. Being an actor, you kind of have the same interest. You go into a story, and you tell it from your point of view for people who aren't there. That's what an actor does with a character. But the real life is more more interesting.
An actor's job is to embrace emotions and situations that in real life we spend all of our time running away from.
I draw inspiration from anything and everybody and that's what country music is to me... real life stories and real life emotions.
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