A Quote by Richard Greenberg

The idea of a rupture between acts occurs in a number of my plays. — © Richard Greenberg
The idea of a rupture between acts occurs in a number of my plays.
As a composer I could never find use for over 4 or 5 notes in any musical number, and as a playwright most of my plays have two acts because i couldn't think of an idea for the third act.
All resistance is a rupture with what is. And every rupture begins, for those engaged in it, through a rupture with oneself.
We ought to be very cautious in the prosecution of magic and heresy. The attempt to put down these two crimes may be extremely perilous to liberty, and may be the origin of a number of petty acts of tyranny if the legislator be not on his guard; for as such an accusation does not bear directly on the overt acts of a citizen, but refers to the idea we entertain of his character.
Actuality is when the lighthouse is dark between flashes: it is the instant between the ticks of the watch: it is a void interval slipping forever through time: the rupture between past and future: the gap at the poles of the revolving magnetic field, infinitesimally small but ultimately real. It is the interchronic pause when nothing is happening. It is the void between events.
Plays are just all sort of playful asides, and there's a great deal of reference here to Greek mythology, plays, and dramas. The idea of the chorus is really important in Greek drama and I loved the idea of including that.
A speculator is a man who observes the future, and acts before it occurs.
I think that my biggest influences are electronic acts. Daft Punk is probably my number 1, then Kanye West would be number 2 after that.
We've been in lots of places that I suppose, by Oxford standards, would be considered illiterate, but everyone's completely conversant with the idea that here is a number, and that number is above it, and that's too high. It's not a very complicated idea.
I see the American experience as being defined by the immigrant paradigm of rupture and renewal: rupture with the old world, the old ways, and renewal of the self in a bright but difficult New World.
The Communist revolution is the most radical rupture with traditional property relations; no wonder that its development involves the most radical rupture with traditional ideas.
Muller isn't a number seven, a number nine, nor a number 10. He is everything and in between.
Habits are formed by the repetition of particular acts. They are strengthened by an increase in the number of repeated acts. Habits are also weakened or broken, and contrary habits are formed by the repetition of contrary acts.
Nullification is the Jeffersonian idea that the states of the American Union must judge the constitutionality of the acts of their agent, the federal government, since no impartial arbiter between them exists.
Woodie King Jr., in 1970, had started a company called the New Federal Theatre, which was ensconced at the Henry Street Settlement. I did a number of plays there, and I auditioned each time. The plays were mostly new. New York was very fertile ground; there was a plethora of African-American plays being done.
Despite the digital age, there is a very large number of venues and spaces that are looking for plays, and many of them are looking for new plays.
The invasion of private rights is chiefly to be apprehended, not from acts of Government contrary to the sense of its constituents, but from acts in which the Government is the mere instrument of the major number of the Constituents.
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