A Quote by Richard Grossman

I've been in the art world for many years. But the sad fact is that most writers are visually prepubescent. Generally speaking, the literary world is provincial when it comes to matters of art. And it always has been.
My natural orientation has never been among a community of writers, really. For some reason my social world has always been in the art world.
A canon is antithetical to everything the New York art world has been about for the past 40 years, during which we went from being the center of the art world to being one of many centers.
The real problem with the art world is not the money men scavenging in its wake - they've always been there - but the pirates who've taken over the ship. I am thinking, of course, of that awful art world species: the curator.
Wine writers have been around for almost as long as there has been wine, but in the past, generally speaking, most wine writing was uncritical and emphasized wine as a romantic, historic beverage. Criticism and comparative tastings were eschewed for fear of offending the trade, which most writers depended upon for survival.
I want my books to exist in the literary world, not only in the art world. I am interested in having a dialogue with other writers, and the readers of those writers. Someone who is reading a book of mine might not have visited my exhibitions related to it, but can still have a full, literary experience with that book. This would be a completely different experience from stepping into the show, not having read the book. One form is not illustrative of the other.
Has it led you to the conclusion that photography is an art ? Or it is simply a means of recording ? "I'm glad you asked that. I've been wanting to say this for years. Is cooking an art ? Is talking an art ? Is even painting an art ? It is artfulness that makes art, not the medium itself. Of course photography is an art - when it is in the hands of artists."
the art world has always been an unrelenting taste machine, but now flavors of the month have morphed into flavors of the minute. Again, all a reflection of a wider cultural condition. I mean, the art world is slow compared with the music and movie businesses.
What the art world has done, it has been constantly been pushing the boundaries about what art can be. It's like expanding its territory.
He [Benny Carter] is all that every jazz musician the world over wants to be. He's performed 20,000 nights. How many shoes have been shined? How much mascara put on? Rouge? How many of those impossible bowties have been tied? How many love songs have been sung? How many dances have been danced? How many have passed to the sound of his music? It's been said that a man should not be forced to live up to his art. Benny Carter is one of the rare instances when we wonder whether the great art that a man has created can live up to him.
In many parts of the world, including the Arab world, the Latin American world, and even parts of the Western world, there is a tradition of writers being quite engaged. Particularly in the Arab world you have had very, very strong traditions of literature and poetry and most of the writers have been deeply committed to the cause of the Arab nation.
I've been trying to... Having been an English literary graduate, I've been trying to avoid the idea of doing art ever since. I think the idea of art kills creativity.
I've been arrested a few times, but I've never been in real trouble. Because what I do is art and even if it is illegal, Art is a universal activity, and artists are generally respected.
I'll never understand the art world. But I kind of feel like there's been some art world/black metal crossovers happening for a while.
The provincial intellectual is doomed to arguing at low level... there is still no Australian literary world, not in Sydney, Melbourne, Adelaide. It is some consolation to realise that there is no literary world in Birmingham or Los Angeles either. I have heard there is one in Montreal, but I don't believe it. The literary world is in London and New York, the only cities big enough to sustain magazines which can afford to reject copy.
The entire world of art has reached such a low level, it has been commercialized to such a degree that art and everything related to it has become one of the most trivial activities of our epoch.
For me, there has always been a disconnect with the sort of elitist structure of the high-art world - and my distaste for that is at odds with my feeling that art should aspire to do great things.
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