A Quote by Richard Leakey
Echoing the criticism made of his father's habilis skulls, he added that Lucy's skull was so incomplete that most of it was 'imagination made of plaster of Paris', thus making it impossible to draw any firm conclusion about what species she belonged to.
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It wasn't just that Lucy wanted to help him. She wasn't as selfless as that. She was madly attracted to him. She was attracted to all of the normal things and the weird things, too, like the back of his neck and his thumbs on the edge of his desk and the way his hair stuck out on one side like a little wing over his ear. She caught his smell once, and it made her dizzy. She couldn't fall asleep that night.
A Roman divorced from his wife, being highly blamed by his friends, who demanded, "Was she not chaste? Was she not fair? Was she not fruitful?" holding out his shoe, asked them whether it was not new and well made. "Yet," added he, "none of you can tell where it pinches me.''
Her [Eleanor Roosevelt] father was the love of her life. Her father always made her feel wanted, made her feel loved, where her mother made her feel, you know, unloved, judged harshly, never up to par. And she was her father's favorite, and her mother's unfavorite. So her father was the man that she went to for comfort in her imaginings.
Then with Lucy [Hale], her little thing that I kind of learned from her is her country music because she’s obsessed with country and at the beginning, I wasn’t a huge fan of it, but I was listening to some songs that she plays in the hair and makeup room and she’s also so funny, too. She does these character impersonations and they’re just so funny. Made up characters of course, but she can switch into someone else so fast. I’m always laughing at Lucy and she’s like a little Polly Pocket, you know? The tiny one.
The concentration camps, by making death itself anonymous (making it impossible to find out whether a prisoner is dead or alive), robbed death of its meaning as the end of a fulfilled life. In a sense they took away the individual’s own death, proving that henceforth nothing belonged to him and he belonged to no one. His death merely set a seal on the fact that he had never existed.
No one has yet been found so firm of mind and purpose as resolutely to compel himself to sweep away all theories and common notions, and to apply the understanding, thus made fair and even, to a fresh examination of particulars. Thus it happens that human knowledge, as we have it, is a mere medley and ill-digested mass, made up of much credulity and much accident, and also of the childish notions which we at first imbibed.
He sat upon his throne, which is made of skulls.
I want to encourage the artists that haven't made it that social media is the truth. I made it from Instagram to having a most-added song to radio.
She was made up of more, too. She was the books she read in the library. She was the flower in the brown bowl. Part of her life was made from the tree growing rankly in the yard. She was the bitter quarrels she had with her brother whom she loved dearly. She was Katie's secret, despairing weeping. She was the shame of her father stumbling home drunk. She was all of these things and of something more...It was what God or whatever is His equivalent puts into each soul that is given life - the one different thing such as that which makes no two fingerprints on the face of the earth alike.
Everything that I saw became something to be made, and it had to be exactly as it was, with nothing added. It was a new freedom: there was no longer the need to compose. The subject was there already made, and I could take from everything. It all belonged to me: a glass roof of a factory, with its broken and patched panels, lines on a road map, a corner of a Braque painting, paper fragments in the street. It was all the same: anything goes.
Everything that belonged to her husband made her weep again: his tasseled slippers, his pajamas under the pillow, the space of his absence in the dressing table mirror, his own odor on her skin. A vague thought made her shudder: "The people one loves should take all their things with them when they die.
If you look at any list of great modern writers such as Ernest Hemingway, William Faulkner, and F. Scott Fitzgerald, you'll notice two things about them:
1. They all had editors.
2. They are all dead.
Thus we can draw the scientific conclusion that editors are fatal.
Lucy took care of me on the set, and made sure that none of the crew cussed around me. She also had birthday parties for me and made sure that they were well attended.
How nature loves the incomplete. She knows If she drew a conclusion it would finish her.
I missed my father so much when he died that writing about his life and mine was a way of bringing him back to life and getting me to sort of understand more about him and what made him the father, the husband and the man that he was, and how that made me the man, husband and father that I am.
The nearest we approach God ...is as creative beings. The poet, by echoing the primary imagination, recreates. Through his work he forces those who read him to do the same, thus bringing them... nearer to the actual being of God as displayed in action.
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