A Quote by Richard Misrach
I am not unaware that I have the mindset, as contradictory as it may sound, to discover in the world what I am in fact looking for. Perhaps the best pictures are a seamless hybrid of discovery and construction.
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Currently, I am overseeing the construction of the new Trump Tower in Chicago. I am involved in meeting with the construction crews, architects and sales teams. I am learning a lot and working with some of the best in the business.
Looking behind, I am filled with gratitude. Looking forward, I am filled with vision. Looking upwards, I am filled with strength. Looking within, I discover peace.
I am always sad, I think. Perhaps this signifies that I am not sad at all, because sadness is something lower than your normal disposition, and I am always the same thing. Perhaps I am the only person in the world, then, who never becomes sad. Perhaps I am lucky.
Perhaps I am following in the footsteps of François Mitterrand, who really did want to shape Europe. My predecessors, by contrast, thought it was best to say nothing at all and to keep all their options open. That may sound like a tactical approach, but perhaps it was simply because they didn't have any ideas for Europe at all.
Looking back, perhaps the single biggest problem was fear. Fear of failure, fear of other people, but mostly fear of myself. It has taken sixty years to discover who I really am. It's never too late to find yourself however lost you may be.
I'm not satisfied in the sense I am not looking for any roles, but I do make peace with myself saying that 'I am not the best in the world.' But I have tried to give my best, and I want to get better.
I believe I am becoming pathetic. I'll go further, I believe that I am in love with a flower-growing, wood-carving quarryman/carpenter/pig farmer. In fact, I know I am. Perhaps tomorrow I will become entirely miserable at the thought that he doesn't love me back - may, even, care for Remy- but at this precise moment I am succumbing to euphoria. My head and stomach feel quite odd.
I must try, however, as best I can, although I am very conscious of the fact that our feelings and strivings are often contradictory and obscure and that they cannot be expressed in easy and simple formulas.
This generation may either be the last to exist in any semblance of a civilised world or that it will be the first to have the vision, the bearing and the greatness to say, 'I will have nothing to do with this destruction of life, I will play no part in this devastation of the land, I am determined to live and work for peaceful construction for I am morally responsible for the world of today and the generations of tomorrow.'
It goes a long way back, some twenty years. All my life I had been looking for something, and everywhere I turned someone tried to tell me what it was. I accepted their answers too, though they were often in contradiction and even self-contradictory. I was naive. I was looking for myself and asking everyone except myself questions which I, and only I, could answer. It took me a long time and much painful boomeranging of my expectations to achieve a realization everyone else appears to have been born with: That I am nobody but myself. But first I had to discover that I am an invisible man!
I would like to say, for the record, that I am in favor of using more American Indians and other minorities in motion pictures, I am against polluting the oceans of the world, I am for every nationality having its own homeland, I am against whacking baby seals on the head, and I am for saving the whales.
I am looking to have a place under the sun for our new generations to live in peace far away from repression, from terrorism, to live as human beings freely in this free world. That is what I am looking for. I am not asking for the moon. I am asking for the United Nations legality to be implemented.
It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures. A feeling for composition is a great asset. I think it is very much a matter of instinct. It can perhaps be developed, but I doubt if it can be learned. To achieve his best work, the young photographer must discover what really excites him visually. He must discover his own world.
I am looking at you and you are looking at me. This is very good. I am looking and I am liking. You are looking and you are thinking, 'I hope she doesn't hit me with her crop.' But that is because I am me and you are you.
And when I look at a history book and think of the imaginative effort it has taken to squeeze this oozing world between two boards and typeset, I am astonished. Perhaps the event has an unassailable truth. God saw it. God knows. But I am not God. And so when someone tells me what they heard or saw, I believe them, and I believe their friend who also saw, but not in the same way, and I can put these accounts together and I will not have a seamless wonder but a sandwich laced with mustard of my own.
Washington, D.C., is not a subtle city. Unlike the capitals of other once-great powers which, many hundreds of years old, present a more seamless meshing of monumental memory and daily life, D.C. is constructed to shout, 'Here I am! I am powerful!' to the world.
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