A Quote by Richard Ouzounian
Then there’s Isabel Leonard, as the male character, Sesto. Her voice has the rich, fragrant depth of sandalwood and she looks so sublimely boyish yet fulsomely feminine that she combines the best of both genders. I adored her.
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You must be mistaken," Isabel said, unconcerned by the insult that the words carried. "I assure you i am not. Voluptas is nearly always portrayed wrapped in roses. If that were not enough, her faces confirms her identity." "You cannot tell a goddess from a face carved in marble," she scoffed. "You can tell Voluptas by her face." "I've never even heard of this goddess, and you know what she looks like?" "She is the goddess of sensual pleasure." Isabel's mouth fell open at the words. She could not think of a single thing to say in response. "Oh
Feminism has nothing at all to do with being 'feminine.' Feminine means accentuating the womanly attributes that make women deliciously different from men. The feminine woman enjoys her right to be a woman. She has a positive outlook on life. She knows she is a person with her own identity and that she can seek fulfillment in the career of her choice, including that of traditional wife and mother.
And he absolutely had to find her at once to tell her that he adored her, but the large audience before him separated him from the door, and the notes reaching him through a succession of hands said that she was not available; that she was inaugurating a fire; that she had married an american businessman; that she had become a character in a novel; that she was dead.
As he was about to leave, she said, "Murtagh." He paused and turned to regard her. She hesitated for a moment, then mustered her courage and said, "Why?" She though he understood her meaning: Why her? Why save her, and now why try to rescue her? She had guessed at the answer, but she wanted to hear him say it. He stared at her for the longest while, and then, in a low, hard voice, he said, "You know why.
In her heart she is a mourner for those who have not survived. In her soul she is a warrior for those who are now as she was then. In her life she is both celebrant and proof of women's capacity and will to survive, to become, to act, to change self and society. And each year she is stronger and there are more of her.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
The amusement fled from Royce's face and with a groan he pulled her roughly against his chest, crushing her to him. "Jenny," he whispered hoarsely, burying his face in her fragrant hair. "Jenny, I love you." She melted against him, molding her body to the rigid contours of his, offering her lips up for his fierce, devouring kiss, then she took his face between both her hands. Leaning back slightly against his arm, her melting blue eyes gazing deeply into his, his wife replied in a shaky voice, "I think, my lord, I love you more.
It was not the passion that was new to her, it was the yearning adoration. She knew she had always feared it, for it left her helpless; she feared it still, lest if se adored him too much, then she would lose herself, become effaced, and she did not want to be effaced, a slave, like a savage woman. She must not become a slave. She feared her adoration, yet she would not at once fight against it.
Daphne is the eldest of the Bridgerton daughters, so she is the first to make her debut on the marriage mart and she's waited her whole life for this moment. When we meet her, she conforms to the social pressures placed on young women at the time but as she evolves, she very much finds her voice.
My mother was the greatest example to me of anyone I've ever known. She didn't have an easy life. I adored her. She worked hard all her life, and she was the one who set my values. She was quite an amazing woman, although she wasn't tough at all.
Of all the characters I've played, I relate the most to Isabel in Hugo. She's so adventurous and fun. She just loves reading books and those are her adventures. Isabel is a heightened version of my personality.
When Gypsy was older, after she became Gypsy Rose Lee, I think she was both proud and slightly ashamed of her Seattle roots. She worked very hard to rid her voice of any trace of a local accent, cultivating an affected way of speaking that sounded as if she pinned the ends of her words.
Sophie has a gift," she said. "She has the Sight. She can see what others do not. In her old life she often wondered if she was mad. Now she knows that she is not mad but special. There, she was only a parlor maid, who would likely have lost her position once her looks had faded. Now she is a valued member of our household, a gifted girl with much to contribute.
She's sun and rain, she's fire and ice, a little crazy, but it's nice. And when she gets mad, you best leave her alone, cause she'll rage like a river then she'll beg you to forgive her.
She's a yellow pair of running shoes, a holey pair of jeans. She looks great in cheap sunglasses, she looks great in anything. She's, "I want a piece of chocolate cake; take me to a movie." She's a, "I can't find a thing to wear." Now and then she's moody. She's a Saturn with a sunroof with her brown hair blowing. She's a warm conversation I wouldn't miss for nothing. She's a fighter when she's mad and she's a lover when she's lovin'.
He grunted and stirred, withdrawing from her. She only had a moment to be disappointed and then he flipped her to her back and rose over her, powerful and male. He casually parted her legs with his knees and thrust into her again, hot and hard. She gasped at the swift invasion, the lovely feeling, and then his face was next to hers, his big palms cradling her cheeks. “What I want,” he drawled, “is ye. Nothin’ else.
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