A Quote by Richard Armour
Some golfers blast their ball from traps, With one adroit explosion, But others, out in ten perhaps, Depend upon erosion.
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Great events ever depend but upon a single hair. The adroit man profits by everything, neglects nothing which can increase his chances; the less adroit, by sometimes disregarding a single chance, fails in everything.
He deserves ten out of ten for doing what he does. He is a sensation, but still he can improve. He must know when to move the ball on quickly and when to try the impossible mission. When he learns this, he won't win a single Golden Ball, but an entire collection.
Only bad golfers are lucky. They're the ones bouncing balls off trees, curbs, turtles and cars. Good golfers have bad luck. When you hit the ball straight, a funny bounce is bound to be unlucky.
To have or not to have [chemical weapons] is a possibility, but to depend on what media says is nonsense, or to depend on some of the reports of the intelligence is nonsense and that was proven when they invaded Iraq ten years ago and they said "Iraq has stockpiles of WMD" and it was proven after the invasion that this was false ; it was fraud. So, we can't depend on what one magazine wrote.
'Gone-Away World' was a shotgun blast, an explosion out of the box I'd put myself into writing film scripts. 'Tigerman' is shorter, tighter, more crafted.
During the last 35 years, the artists multiplied, the public grew enormously, the economy exploded, and so-called contemporary art became fashionable. All these parameters changed the art world form its previous aspects and fundamentals - the explosion of museums and institutions, explosion of Biennales and Triennials, explosion of money, explosion of interest, explosion of artists, explosion of countries interested in contemporary exhibitions, explosion of the public. Not to see that is to be more than blind.
Since 1950 I have been keeping a film diary. I have been walking around with my Bolex and reacting to the immediate reality: situations, friends, New York, seasons of the year. On some days I shoot ten frames, on others ten seconds, still on others ten minutes. Or I shoot nothing. Walden contains material from the years 1964-1968 strung together in chronological order.
There are certain things that you can blast through a stereo. You can blast hip-hop. You can blast heavy metal. You can't blast 'All Things Considered.'
I would blast AC/DC and walk out onto the tennis court and try to hit the ball hard.
My old trainer used to tell us not to blast, but to caress the ball whenever we took possession. If the ball were a woman... she would be spending all night with Berbatov.
Adroit geo-strategists take new realities into account as they try to imagine how global politics will unfold. In the foreign policy business, however, inertia is a powerful force and 'adroit' a little-known concept.
Some golfers, we are told, enjoy the landscape; but properly, the landscape shrivels and compresses into the grim, surrealistically vivid patch of grass directly under the golfer's eyes as he morosely walks toward where he thinks his ball might be.
I build confidence when I practice a variety of shots - hitting it high or low, working the ball. A lot of golfers go to the range and just hit full shots. That doesn't build on-course confidence, because you won't always hit full shots out there. My confidence is built on knowing I can effectively work the ball in any circumstance.
If a birth is the fall-out from the explosion caused by the union of two unstable elements, then perhaps a half-life is all we can expect.
I wrote and directed a movie called 'Two - Bit Waltz'. We just wrapped. It was a blast, blast, blast.
Memories are like a still life painted by ten different student artists: some will be blue-based; others red; some will be as stark as Picasso and others as rich as Rembrandt; some will be foreshortened and others distant. Recollections are in the eye of the beholder; no two held up side by side will ever quite match.
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