A Quote by Richard Strauss

Never look encouragingly at the brass, except with a short glance to give an important cue. — © Richard Strauss
Never look encouragingly at the brass, except with a short glance to give an important cue.
There is no sex without a cue. People who date have their cues at home, before they meet. You think about where to go, what to eat, what to do and say. Sometimes the cue is short - - just before we reach the bar - - but sex is never just spontaneous. Spontaneity is a myth.
There’s nothing as significant as a human face. Nor as eloquent. We can never really know another person, except by our first glance at him. Because, in that glance, we know everything. Even though we’re not always wise enough to unravel the knowledge.
The tip I would give is that once you play the shot, make sure your chin is touching the cue after you hit the cue ball.
Never look back, except for an occasional glance, look ahead and plan for the future. Success is not built on past laurels, but rather on a continuous activity. Keep busy searching out new ideas and, experimentally, keep ahead of the times, or at least up with them.
Never give in. Never give in. Never, never, never, never -- in nothing, great or small, large or petty -- never give in, except to convictions of honor and good sense.
Never give in - never, never, never, never, in nothing great or small, large or petty, never give in except to convictions of honour and good sense.
Never look at the brass - it only encourages them.
That's the advice I would give to women: Don't look at the bankbook or the title. Look at the heart. Look at the soul. Look at how the guy treats his mother and what he says about women. How he acts with children he doesn't know. And, more important, how does he treat you? When you're dating a man, you should always feel good. You should never feel less than. You should never doubt yourself.
I've always looked to that play, 'Virginia Woolf,' for a cue - as far as any cue I might need as an actor for inspiration or as a writer.
Look and image were very important - there was already incredible pressure to look feminine and sexy but I wanted to look individual and strong. I didn't have any role models except Little Nell from 'The Rocky Horror Picture Show.'
God, When I was alone, and had nothing, I asked for a friend to help me bear the pain, No one came, except God, When I needed a breath to rise, from my sleep, No one could help me.. except God, When all I saw was sadness, and I needed answers, No one heard me, except God, So when I'm asked.. who I give my unconditional love to? I look for no other name, except God
In all the years I've been playing, I've never considered changing my cue. It was the first cue I ever bought, aged 13, picked from a cabinet in a Dunfermline snooker centre just because I liked the Rex Williams signature on it. I saved £40 to buy it. It's a cheap bit of wood, and it's been the butt of other players' jokes for ages.
I've grown up in the Treme, and I played in a bunch of brass bands. My brother, James Andrews, had a brass band.
I think that one of the most important things that art can do is give you a reason to look at something, almost give you permission to look at something.
It is very important in life to know when your cue comes.
I kept my speeches short as captain. I focused on the key points of the opposition of the day. As coach, I was never afraid to give long speeches to the players throughout our preparations. It was important they had all the information possible.
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