A Quote by Richard Thompson
I'm glad there are a lot of guitar players pursuing technique as diligently as they possibly can, because it leaves this whole other area open to people like me.
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There are some people who might have better technique than me, and some may be fitter than me, but the main thing is tactics. With most players, tactics are missing. You can divide tactics into insight, trust, and daring. In the tactical area, I think I just have more than most other players.
I'm not like other guitar players. In fact, I'm not even like most acoustic players because I use the nylon-string acoustic. I do play steel-string and the electric guitar, too, because I love rock 'n' roll and guitarists like Jimi Hendrix. But my bread and butter has always been the nylon-string.
I think for the open-minded, I'm a lot like Luciano Pavarotti... But I don't know the technique. I'm learning. I think Pavarotti was a citizen of the world. He was very eclectic. He sang with Sting and with a lot of other pop artists, and this open-mindedness, for me, is very important.
Minneapolis just embraced me. There are a lot of weirdos here. It's awesome, because I'm a weirdo. Thankfully, the city embraced me with open arms. A lot about Minneapolis helped carve my musicality and open my eyes. The whole town is so open-minded compared to like, you know, Texas.
I put together the idea for G3 because I felt isolated. The success of being a 'guitar hero' kept me away from all my friends who were guitar players. I thought it would be a lot more fun to play with them.
There's an awful lot to be desired. I've gone to places where people say to me, "What's your technique?" Technique? What the hell technique is there to acting? We're acting because even with my voice I'm giving what I think is what I want to say.
I spend a lot of time copying saxophone players and trumpet players. Not to say that it is not important to listen to guitar players, but there's so much music out there and so many possibilities. I like anyone who plays any instrument.
I never actually had a guitar lesson. I taught myself the guitar from piano exercise books, which led me to have a pretty good technique on the guitar and allowed me to find different ways to do things.
I don't even wanna say female guitar-players, just guitar-players, because music of all things doesn't need to be gendered and stratified, that's so boring.
There is still a lot of football in me and I enjoy watching the players go out there and be the best players they can possibly be.
The professional dedicates himself to mastering technique not because he believes technique is a substitute for inspiration but because he wants to be in possession of the full arsenal of skills when inspiration does come. The professional is sly. He knows that by toiling beside the front door of technique, he leaves room for genius to enter by the back.
One interesting thing - I play bass and guitar and stuff like that. I know those instruments really well. But I don't know how to play clarinet or trombone or any of these other instruments. I don't actually know how to play ukulele even though I've played it a lot in the past. Because of the weird tuning it's not exactly like a guitar. That's one of the reasons I like that instrument - it makes for surprises. It's not so predictable as the bass or the guitar is for me.
I was pillaging a lot of music that had nothing to do with guitar playing, using a lot of strange tunings and voicings and chord structures that aren't really that natural to the guitar; I ended up developing a harmonic palette that's not particularly natural to the guitar because I was always trying to make my guitar sound like something else.
I'd like to be able to get more girls to play guitar. I think with a girl playing electric guitar, sometimes it's seen a bit like a guy doing ballet. All the people I learned guitar from have been guys. There are some great female players, like Bonnie Raitt and Jennifer Batten, but very few.
Stage presence is not something I spend a whole lot of time thinking about. On the one hand, I do, because I have, like, favorite front-people and I know what's excited me to see in a band. But I can't be David Yow [Jesus Lizard frontman] and still play guitar.
He and I don't know each other like that. We know each other as strictly basketball. A lot of people on the outside don't understand that because people think we have a relationship like every other father and son. We just don't. That's because he's been gone my whole life, and that's fine.
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