A Quote by Richard Watson Gilder

Give me a theme," the little poet cried, "And I will do my part," "'Tis not a theme you need," the world replied; "You need a heart. — © Richard Watson Gilder
Give me a theme," the little poet cried, "And I will do my part," "'Tis not a theme you need," the world replied; "You need a heart.
When I work on a movie, I look at the script or watch the film, and I talk to my director or producers and make a plan: this is our main character; we need a theme for this plot. We need a love theme.
I'm sure you have a theme: the theme of your life. You can embellish it or desecrate it, but it's your theme, and as long as you follow it, you will experience harmony and peace of mind.
I need to recognise that everyone is an individual and that the key to a good relationship is to recognise that. This does theme to be a theme in my stand-up as well as my writing!
I found this really fantastic used record store in Japan, and I bought all these different records and different 45s, and one of the 45s was just, it had the theme, "Green Leaves of Summer," the theme to "The Alamo" on one side, and then on the flip side was a theme to, the theme to "The Magnificent Seven."
We need a candidate who's going to be a fighter for freedom. Who is going to get up and make that the central theme in this race because it is the central theme in this race. I don't care what the unemployment rate's going to be. Doesn't matter to me. My campaign doesn't hinge on unemployment rates and growth rates.
You need a theme in a picture book just as much or maybe even more than you need it in a novel.
Writers often like to talk about how intuitive the writing process is, but in truth, building a book is a remarkably unintuitive task. Or, to put it more accurately, you need a lot more than intuition. You need plot and characters. You need a setting. You need a theme that is relevant and supported by your text.
I think everybody comes to the table with a different point of view and a different need...A lot of Beverly Lewis' material revolves around secrets and bringing those secrets to light. So, you know, there's always that theme, that...we're as sick as our secrets and once they're revealed we can be set free from them. So, that's definitely a theme that resonates.
Our film [Hide and seek ]was created as part of the Asian American Film Lab's 11th 72 Hour Film Shootout filmmaking competition, where filmmaking teams have just 72 hours to conceive, write, shoot, edit and submit a film based on a common theme. The winners were announced during the 38th Asian American International Film Festival in New York last July. The theme for 2015 was 'Two Faces' and was part of a larger more general theme of 'Beauty'.
The greatest need in the world is the transformation of human nature. We need a new heart that will not have lust and greed and hate in it. We need a heart filled with love and peace and joy, and that is why Jesus came into the world.
I took part of Alan Silvestri's theme on the original movie, which I really liked, and I pulled it into it new theme, which became kind of a hybrid. I really enjoyed that.
I always think it's important to choose your initial theme very carefully because you're going to be married to it for a long time. You might have to generate an hour's worth of music from a very short, little piece of theme.
I don't write for theme, but if you work closely on some guy fixing a sandwich or a window or a table or trying to visit an old teacher or walking down the street on which he was a boy, a theme, a human hope, will emerge.
Every true writer is like a bird; he repeats the same song, the same theme, all his life. For me, this theme as always been revolt.
A theme is always necessary, a plain, simple, unadorned theme to confuse the ignorant.
Each nation has a theme: everything else is secondary. India's theme is religion.
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