A Quote by Rick Yancey

That's what you do when the curtain is falling--you give the line that the audience wants to hear. — © Rick Yancey
That's what you do when the curtain is falling--you give the line that the audience wants to hear.
If I knew what the audience wants to hear I would be the richest guy in the world! There are a lot of people who think they know what the audience wants but are sadly rejected.
I think nobody wants to hear a sermon. Well, some people do, but maybe not through music or not with me. No one wants to hear me give a speech that way.
I miss theater. I miss living the arc of the character, from curtain to curtain, and I miss the immediate audience response.
They do not need the sun. Who needs the sun when the eyes glow? Darkness. A woolen fog has wrapped the earth, has dropped a heavy curtain. From far away, from beyond the curtain, comes the sound of drops falling on stone. Far, far away - the autumn, people, tomorrow. ("The North")
Sometimes I wish for falling Wish for the release Wish for falling through the air To give me some relief Because falling's not the problem When I'm falling I'm in peace It's only when I hit the ground It causes all the grief
The audience wants something that entertains them, and whether that entertainment is in the form of a physical match or in the form of a skit or video or promo, it's our job to deliver it to them, to the point where the audience becomes the biggest champion of our brand. And if we can't match that, then we're falling short.
If you are writing a story and trying to draw an audience to come and hear you tell it, it's got to in some way relate to them. Who wants to come and hear about your specific problems? It's not therapy - it's supposed to be a communal piece of entertainment.
The audience wants to hear 'Rock n' Me,' 'Space Cowboy,' 'Living in the U.S.A.' When you start to play something else, you can feel the interest and enthusiasm go; the steam goes out of room. They are really 'Greatest Hits' fans and that's what they want to hear. It's disappointing that it's this way in the U.S.
Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear. Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.
The trouble is, most people are not so generous. Everybody wants love for themselves. I hear this all the time from the women I work with. I hear them say, "I want, I want." I never hear them saying what they want to give.
I'll give you my worst nightmare. I'm dreaming that I'm onstage, the curtain goes up, and I have no idea what my lines are or what's going on. I think I should know, I kind of know, I remember rehearsing... and the audience is there waiting.
If you start to just aim for what the audience wants to hear, you're already hamstrung because you don't have any freedom.
It is not the job of artists to give the audience what the audience want. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artist. It is the job of artists to give the audience what they need
For me, the great joy is to watch an audience watching what I've made. To hear not a peep from the audience at the right moment, and then to hear the laughs and the cheers.
We can see the film stars of yesterday in yesterday’s films, hear the voices of poest and singers on a record, keep the plays of dead dramatists upon our bookshelves, but the actor who holds his audience captive for one brief moment upon a lighted stage vanishes forever when the curtain falls.
For me, being a woman suits what I want to talk about and what my audience wants to hear. Maybe I'm a dying breed.
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