A Quote by Rickey Medlocke
You've just gotta go in and write from the heart and write the best material that you can and put it out. If one hits, hey, great. It keeps the legacy going. But you've gotta keep doing new material. It's the future of any band.
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When you come into a pre-existing situation, you gotta have your own thing going. You gotta be really strong about it, and you gotta look at the older material in an aggressive way - 'I'm gonna make this mine somehow.' You need to put your imprint on the situation that you're in.
When you write songs, you gotta be like a receiving station: you gotta be aware of what's going on around you. I never know what a song is going to be about before I write it.
People don't understand that's what it takes. People look at this microwave success, but it takes years. You better be about it, and serious about what it is you're trying to put out into the world. The gratification is not going to be instant. This is the long game. You gotta be focused and you gotta have it in your heart, ultimate confidence, that it's dope. When it hits, it's going to be worth.
My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works.
Undisputed ends when I return to the WWE in 2007. There is already 3 ½ years of material including the 3 best years of my career. Undisputed is going to do even better than A Lion's Tale, there is no reason to not do #3. The material I have for #3 is just as good as the first 2. I still have a few years to go before I write but I would definitely like to write another one. But it is not about the numbers, it is about the quality. If I don't think it would be as good, I won't do it
Cats gotta scratch. Dogs gotta bite. I gotta write.
This is New York. You gotta work from upstairs to downstairs! You gotta work both ends of the street to have a career. Because it's not just fabricating an artwork. Your works have to go out into the world; they have to go to market. This art on the hoof has to be moved; it's got to go to the slaughterhouse at some point. Keep those dogies rollin'!
The danger for a comedian on Twitter is the same danger that any civilian faces: sometimes you gotta put that phone down and go live your life. When you're on Twitter, you're not living, and if you're not living, you're not taking in stimuli with which you can create new material.
In a great horror movie, you've gotta have some character development and you've gotta set some of your people up and you've gotta have a little back story going. You've gotta take that time for exposition.
I'm doing great, and I just gotta keep going.
I think you gotta always do things that keep you excited in an [rap music] industry that's so bullshit. When you know that you have so much energy and so much to give, it would be a shame if the facilitators of that aren't enthusiastic about you doing it, because you've been doing it for so long. So you just gotta figure out ways in this insane business to keep it fresh.
She'd always believed that people come in two varieties: those who look out the windshield and those who stare in the rearview mirror. She'd always been the windshield type: gotta focus on the future, not the past, because that's the only part that's still up for grabs. Mom throws me out? Gotta get some food and find a place to live. Husband dies? Gotta keep working, or I'll end up going crazy. Got some guy stalking me? Gotta figure out a way to stop it.
Every once and a while somebody writes a script, but even regardless of what age you are, most of the actors would all agree that it's all based upon material and the material has got to spark with you. It may be great material but you think it's great material for somebody else. Or it's great material and I'm perfect for it. So, you just have to make that judgment and if you feel in the mood to do it.
If I have to write on an airplane or get up early to write or write late, you just gotta sit down. When you have the time, you have to be able to do it.
We like to party but to be the best partiers in the world you've gotta be serious, you've gotta plan that stuff out. You've gotta wake up the next day and catch that plane to the next show and perform a great show.
Like: 'Don't walk out there with one hand in your pocket unless there's somethin' in there you're going to bring out.' You gotta commit. You've gotta go out there and improvise and you've gotta be completely unafraid to die. You've got to be able to take a chance to die. And you have to die lots. You have to die all the time.
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