A Quote by Ricky Skaggs

Maybe you're going to a concert thinking you're not going to hear anything but music. But you may walk away from there with an answer to a problem that you're carrying around with you that you didn't think you were going to hear about.
When I watch Tucker's show, I hear - you're going to think I'm crazy - I hear 2024 campaign monologues. That's what I sometimes hear him doing, thinking about what is the post-Trump GOP.
When you go out and audition, you're going to hear a lot of 'No's.' As weird as it may sound, you almost have to love hearing 'no' because you're going to hear it way more than you hear 'yes'.
Music is made to be heard, whether you hear it in concert, you hear it on the radio, or you hear it in your car. It's not for two people to sit in a closet and go, 'That's my band, the only band I've ever heard, and I'm the only person that's going to hear it.'
I certainly understand that we're all trying to make a living, but I'm not thinking about that when I'm making it. And if that's your sole motivation, it's going to reflect that narcissistic greed and you're going to hear it in the music.
I certainly understand that we're all trying to make a living, but I'm not thinking about that when I'm making it. And if that's your sole motivation, it's going to reflect that narcissistic greed, and you're going to hear it in the music.
I don't think there's a problem. First of all, I don't think music turns people into social liabilities. Because you hear a lyric - there's no medical proof that a person hearing a lyric is going to act out the lyric. There's also no medical proof that if you hear any collection of vowels and consonants, that the hearing of that collection is going to send you to Hell.
When I give a concert, I know they're not going to hear everything; there might be a lot going on. My individual perceptual and cognitive path through the music is just that: one path through music. My experience will be probably at some level different from other people's, and that multiplicity of experience has to be supported by the music. I might just focus on the cowbell the whole time - maybe I have a fever for more cowbell!
My fans don't feel like I hold anything back from them. They know whatever I'm going through now, they'll hear about it on a record someday. They'll hear the real story. There's a little bit of lag time. It's not as instant as going on a gossip blog. But it's much more accurate.
My problem is I don't see and hear that well, so when I go to the movies, I can make out what's going on, but I can't hear what they're saying. And after the movie, I have to ask whoever I'm with "now, what was that all about?"
When people hear my music, they ain't really hearing about no shiny stuff, the glamorous life. They're going to hear that gritty, slum.
The biggest problem with American music right now, is that kids don't listen. They come by it honestly, Americans don't listen anyway. When people go to concerts, they say I'm going to see... not, I'm going to hear.
People come to my shows and know that they're going to hear about what's going on in the world - what's happening at the moment. My material is as new as anything on the dinner table.
I thought it was possible that O.J. could have done something. It crossed my mind. I was thinking about the events of everything and going, Why did I hear that? I was going, No, it can't be, and just all that stuff was adding up.
Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them & nobody ever takes note of it 'cause it's not the answer they wanted to hear-what they want to hear is here's how you get an agent, here's how you write a script, here's how you do this-but I always say, “Be so good they can't ignore you.” If somebody's thinking, “How can I be really good?” people are going to come to you. It's much easier doing it that way than going to cocktail parties.
All songs have those X factors. I couldn't even explain or describe what will grab me about them but it's all music that I'm usually listening to. I'm always looking there to hear new music and see what's going on so that's usually when I'll hear something and be like "Wow, that melody is really crazy.
A lot of people ask me where music is going today. I think it's going in short phrases. If you listen, anybody with an ear can hear that. Music is always changing. It changes because of the times and the technology that's available, the material that things are made of, like plastic cars instead of steel. So when you hear an accident today it sounds different, not all the metal colliding like it was in the forties and fifties. Musicians pick up sounds and incorporate that into their playing, so the music that they make will be different.
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