A Quote by Rita Gelman

Even here, in the U.S., I walk my daughter's dog and I look for interesting people sitting at a picnic table and I walk over with my white hair and I ask, "Would you mind if I sat and rested here for a minute?" Nobody would refuse that.
In L.A., I see people who are always in their cars, always driving. I encourage them to walk more - walk to the post office, walk to lunch. Even if it is a 10-minute walk, it's so good for you.
I would love it if, even for one day, you could walk through a neighborhood and see an Asian guy sitting on his stoop, then you look across the street and see a black guy and a white guy sitting on their porches, and a Mexican dude walking by.
People always ask me if there was one thing they could do today to change the way they look and feel, what would it be. The answer is simple: Walk. To be exact, I want you to walk 10,000 steps a day.
If I had lost a leg, I would tell them, instead of a boy, no one would ever ask me if I was 'over it'. They would ask me how I was doing learning to walk without my leg. I was learning to walk and to breathe and to live without Wade. And what I was learning is that it was never going to be the life I had before.
Dogs want to be people. That's what their lives are about. They don't like being a dog. They're with people all the time, they want to graduate. My dog would sit there all day, he would watch me walk by, he would think to himself, "I could do that! He's not that good.
Men are even afraid to say, 'You look nice,' or, 'You look pretty,' when you come out of hair and makeup to walk on set. And before, men would constantly - producers would constantly say things, but that's kind of a way that they would butter the actresses up and make them feel secure.
A guru is one who tells you to throw away all the crutches that we have been made to believe are essential for our survival. He would ask you to walk, and he would say that if you fall, you will arise and walk.
Even when I'm just sitting at my desk, I have to get up every twenty minutes or so and walk around, walk around, walk around, and then I can go back to the page. I can't just sit there for hours at a time. Language comes out of the body as much as the mind.
There were little Charlie Chaplins that you would wind up, and they would walk. I remember vividly. I was sitting in the high chair with the little tray in front of me. My parents would wind it up, and it would walk to me.
It's hard when people ask me to walk in a different way than I would naturally. I don't think my walk is particularly elegant if you compare it to other girls, but it fits my personality.
We separated like oil and water. In the cafeteria, you'd see a table of black jocks, table of white jocks, table of rich white kids, table of Hispanic kids, table of Chinese kids, table of druggies, table of chatterboxes, and so on. Wait! There's a diverse table over there! With a few kids of different tenacities and economic status! Oh, that's the nerds. That's where I sat. We weren't cool enough for the other tables, so we didn't discriminate against anybody.
I was interested in theatre and media and came to Mumbai to get a job. I imagined that the film industry would be a white building with producers sitting in different rooms, and you could walk in and meet them, and they would interview you and select you.
I never in my wildest dreams thought I would get even one play at Indiana, let alone 25 years later, walk Bruin Walk, walk UCLA where Coach Wooden built his legacy.
Those ethical choices often are made every day at a time, minute by minute in ways that you may not even relate to ethics, so I'm going to walk them through the whole story from that perspective and hopefully they'll be able to walk away with something good from it.
When I went to see Mrs. Clinton and we talk about the inaugural dress I ask her what would you like to achieve with this particular dress? And she said to me what I would like is - that when I walk into the room and people will look at me and say wow you look great.
No one would have the courage to walk up to a writer and ask to look at the last few pages of his manuscript, but they feel perfectly comfortable staring over an artist's shoulder while he is trying to paint.
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