A Quote by Riya Sen
Everyone wants to be glamorous, no doubt, but I was so young when I came here. I was doing all these roles, wearing a mini skirt, running around and acting 'cute.' When I'd watch myself on screen I'd be like 'eeks, I can't believe that's me.'
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If I wore a mini-skirt then it would become such a big deal, if I kissed on-screen then it was bold, it was glamorous but if the top actresses did it then no one would even discuss it. So I was like why do I have this sexy, wild and glamorous image?
I find the whole concept of being 'SEXY' embarrassing and confusing. If I do an interview with photographs people desperately want to change me- dye my hair blonder, pluck my eyebrows. Then there's the choice of clothes. I know everyone wants a picture of me in a mini skirt, BUT THATS NOT ME. I feel uncomfortable. I'd never go out in a mini skirt. Personally, I don't actually think it's even that sexy. Whats sexy about saying, 'I'm here with my boobs out and a short skirt, have a look at everything I've got?' My idea of sexy is that less is more. The LESS you reveal the MORE people can wonder.
I enjoy wearing a saree more than a mini skirt and maybe that has come off as bad acting in some of my films, because I didn't fit in there.
I'm not running after glamorous roles, honestly. I'm a performer and want to perform instead of standing like a mannequin wearing a lot of makeup.
I find the whole concept of being 'sexy' embarrassing and confusing. If I do a photo-shoot, people desperately want to change me - dye my hair blonder, pluck my eyebrows, give me a fringe. Then there's the choice of clothes. I know everyone wants a picture of me in a mini-skirt. But that's not me.
Australia objects to the mini-skirt not on moral but on economic grounds. Australians are no prudes and the lovely, healthy, sporty Australian girls have no reason to hide their knees and thighs. However, the mini-skirt is disastrous for the wool-trade.
To be honest, nobody was running after me with roles, so there also came a time when I did neglect the acting side and was keen on directing and pursuing that. People got this impression, 'She's directing, not acting,' stuff like that.
I don't want to be pretentious about, "yes, I need to move in to the more dramatic roles and express myself and prove to everyone that I'm capable of doing it," it really isn't that, I think that's a bad reason to choose roles. It's more like, who would I be working with and would they be fun to do and entertaining to watch, is it an interesting story or character.
It really costs me a lot emotionally to watch myself on screen. I think of myself, and feel like I'm quite young, and then I look at this old man with the baggy chins and the tired eyes and the receding hairline and all that.
It really costs me a lot emotionally to watch myself on-screen. I think of myself, and feel like I'm quite young, and then I look at this old man with the baggy chins and the tired eyes and the receding hairline and all that.
I really don't like watching myself and for the most part I will never watch myself. I worked with Kevin Smith on Yoga Hosers and I really respected the way that he directed. He told me, "It's very important to watch yourself." So he would direct by going, "Hey come over to the screen and watch this scene." And so it was very uncomfortable for me to have to watch myself but then he talked me through the process of that and it was very helpful.
Boys have been wearing skirts for some time now. My three assistants wear mini skirts. They come to work on their motorcycles wearing mini skirts. The French saw the idea on the streets and have done it in better fabrics, and now everyone says, 'Ah!'
It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted toward the niche market, which is, like, a black movie is created and it's produced and pitched so that only black people will watch it ... I want to see dynamic characters and roles that everyone wants to watch.
I love doing action scenes, there's that great thing when you sort of stop acting because if you're running, you're not acting like you're running, you are just actually running.
Technically, the green screen acting can be difficult because there's something worse than a tennis ball on the end of a stick; it's an Australian visual effects assistant running around a field with a cardboard dinosaur head on the end of a stick while wearing sandals.
Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It's part of acting.
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