A Quote by Robert Bly
Before I was a parent I was struck by Rilke, who, as you know, didn't go to his daughter's wedding because he was writing a poem that day. That was the ideal for artistic behavior in 1950. That's the way I wanted to live.
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I wasn't remembering the gift that God had given me. I had totally put all that aside. And my daughter was growing up before my eyes, and I just wanted to grab hold of that. It goes by so fast. I wanted to watch her. I wanted to be that parent - because at that point in time, I was a single parent. Watch her go to school, and when she got home, be there. I wanted that moment.
The young mouse's eyes snapped open, clear and bright. He swung the ancient sword high and struck at the giant adder. He struck for Redwall! He struck against evil! He struck for Martin! He struck for Log-a-Log and his shrews! He struck for dead Guosim! He struck as Methuselah would have wanted him to! He struck against Cluny the Scourge and tyranny! He struck out against Captain Snow's ridicule! He struck for the world of light and freedom! He struck until his paws ached and the sword fell from them!
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
We know that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day's work at Auschwitz in the morning.
Sometimes the only way I know how to work through something is by writing a poem. And sometimes I get to the end of the poem and look back and go, 'Oh, that's what this is all about,' and sometimes I get to the end of the poem and haven't solved anything, but at least I have a new poem out of it.
People I know who succeed don't mind working. Those who are competent seem to like doing things well -- not stopping because they haven't accomplished what they wanted to on the first go-round. They're willing to do it twenty times, if necessary. There's an illusion that the good people can easily do something, and it's not necessarily true. They're just determined to do it right. I was impressed by hearing one of the women at Radcliffe talk about writing a poem, how many revisions a single poem sometimes has to go through -- fifty or sixty revisions to come out with a poem sixteen lines long.
Before you go further, let me tell you what a poem brings, first, you must know the secret, there is no poem to speak of, it is a way to attain a life without boundaries.
If this thing's hushed up it'll be a simple denial to Jem of the way I've tried to raise him. Sometimes I think I'm a total failure as a parent, but I'm all they've got. Before Jem looks at anyone else he looks at me, and I've tried to live so I can look squarely back at him.. if I connived at something like this, frankly I couldn't meet his eye, and the day I can't do that I'll know I've lost him. I don't want to lose him and Scout, because they're all I've got.
For me, the Bild-Dichtung [image-poem] is the ideal form, because the drawing process is constantly being interrupted or contrasted by the writing. And since I always have something to say when I am writing, the effort has a balancing effect. Drawing and writing are wonderful complements.
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
Often I'm struck by something that I read; then I go and research it a little more, especially if I begin a poem, and I find out that I need to know more. Then I usually get intrigued and excited about whatever it is I'm writing about.
A wedding is for daughters and fathers. The mothers all dress up, trying to look like young women. But a wedding is for a father and daughter. They stop being married to each other on that day.
This distraction is what one wants, which is very, very bad for the muse, because the muse hates not being in the line of sight. It's no longer an external conflict, like, oh, I have all these demands and I don't like them. The split is in the self.?This may explain why, when I was in Santa Barbara before I went to Singapore and then now to Hong Kong, there was a writing moment when I was writing a poem a day. I had never done that before.
Boros is not with the team today because he's attending his daughter's funeral. Oh, wait, it's her wedding.
George was getting alot of independence for himself in those days. He was writing more, and wanted things to go his way - where, when we first started things basically went John and Paul's way. You know, 'cuz they were the writers.
I’d like to know more about this undercover agent who posed as my daughter’s date. The ubiquitous Tall, Dark, and Smoldering.' Nick put on his best meet-the-parent smile. 'I generally prefer to go by Nick.
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