A Quote by Robert Crumb
I couldn't find any good pictures in magazines of ordinary modern street corners in America, so I persuaded this guy I knew in Sacramento - Stanley Something-or-other - to spend a day with me driving around just to take snapshots.
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They were just snapshots, nothing special, nothing particularly artistic. They were used for utility purposes. (On photographs of mundane streetscapes he had Stanley Something-or-other take in Sacramento in 1988 to serve as backgrounds to his cartoons. People don't draw it, all this crap, people don't focus attention on it because it's ugly, it's bleak, it's depressing... But, this is the world we live in; I wanted my work to reflect that, the background reality of urban life. )
Stanley Kubrick knew we had good graphics around MIT and came to my lab to find out how to do it. We had some really good stuff. I was very impressed with Kubrick; he knew all the graphics work I had ever heard of, and probably more.
It went from 'I was a nobody on the street, just another person.' It turned into something completely different. People were coming up to me, they knew who I was us, requesting pictures.
I almost ran into a construction worker driving the other day. He may have planned to scream at me or something, but he saw me and said, 'Hey, you're that guy on 'Dharma & Greg.'
My fantasy life made me survivor. One day I knew that me, this skinny, ugly girl who was only invited to slumber parties when they were forced to - someday I knew I would be someone. That was my driving goal. It wasn't to be famous. I didn't want furs and signing autographs, I didn't care about any of that. I wanted to be someone other than myself.
Part of what I do and what I want to do is I want to bring art into the everyday life. If you can take ordinary just walking in the street and you're confronted by something, that might change your day - it might inspire you.
During the course of the year a number of ideas just come up automatically. I could be walking down the street. Or shaving. An idea will hit me and I'll write it down. Then, when I'm ready to write, I check my little matchbooks and napkins and find that it is good or it's pretty terrible. There are other times when I don't have any ideas and I'll go into a room and close the door and I sit and sweat it out for a day or a month and eventually I come up with [something].
It's too bad failures don't give seminars. Wouldn't that be valuable? If you meet a guy who has messed up his life for forty years, you've just got to say, 'John, if I bring my journal and promise to take good notes, would you spend a day with me?'
I am a white guy in America with an education, albeit high school, but a pretty good one. Another guy from a different demographic or different ethnicity in America can look at me and say, "You take a lot for granted." Well... okay. I just live in a white male American reality, where I hear you but I don't know if I necessarily read you.
She blinked. "Hmm? Oh, don't care. What did Anubis look like to you?" "What did... he looked like a guy. So?" "A good-looking guy, or a slobbering dog-headed guy?" "I guess... Not the dog-headed guy." "I knew it!" Sadie pointed at me as if she'd won an argument. "Good-looking. I knew it!" And with a ridiculous grin, she spun around and skipped into the house. My sister, as I may have mentioned, is a little strange.
I would love to take an old space and restore it to exactly the way I want it. Like an old factory, just something with great bones and lots of character. I'd take an old house and flip it into something very modern inside, or the other way around.
If I tell you that I would be disobeying the god and on that account it is impossible for me to keep quiet, you won't be persuaded by me, taking it that I am ionizing. And if I tell you that it is the greatest good for a human being to have discussions every day about virtue and the other things you hear me talking about, examining myself and others, and that the unexamined life is not livable for a human being, you will be even less persuaded.
What does it mean to go deeper? Taking pictures when you're more emotional or sorrowful, or having sex? I just want to have really boring snapshots - people just standing in front of a camera taking pictures with a smile.
I was always trying to take art photographs, but the most interesting pictures were the snapshots. The artsy pictures were boring, always.
The thing about New York is, more than any other place I've ever been, you run into people on the street that you would never imagine you'd see, old friends, people just like there for a day or two. I find that all the time when I'm walking around Manhattan, running into people that I had no idea were even there.
What intrigues me is that people kind of naturally want to label or pigeonhole the characters. They want to make it easy for themselves to go, "All right. There's the good guy, there's the bad guy, there's the girl. Okay, I get it now." But life isn't one-dimensional. The world isn't simply divided into good versus evil. I think we're all capable of both. So any time the hero does something I'm not crazy about, or the bad guy does something I can relate to, I'll find it more interesting.
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