A Quote by Robert Glasper
Once I started getting mainstream people to my shows, I realized we were taking too many solos, and they were too long. I started gauging when people were going on their iPhones.
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When we were 15, my brother and I were getting really into Nirvana, Green Day, and The Beastie Boys. We started going to shows and realized we really wanted to be on stage.
As soon as the printing press started flooding Europe with books, people were complaining that there were too many books and that it was going to change philosophy and the course of human thought in ways that wouldn't necessarily be good.
As soon as the printing press started flooding Europe with books, people were complaining that there were too many books and that it was going to change philosophy and the course of human thought in ways that wouldnt necessarily be good.
I came from a tradition where souls were a theological reality, not a faith reality. Souls were for saving, not for communing. Souls were for converting and, once they were converted, they were to be left alone. Souls were too mystical, too subjective, too ambiguous, too risky, too... well, you know - New Age-ish.
When we first started playing shows, we were all 17. Everybody started somewhere. There were guys throwing shows in condemned houses and backyards just for the love of music and for the love of what bands were standing for.
I am worried that algorithms are getting too prominent in the world. It started out that computer scientists were worried nobody was listening to us. Now I'm worried that too many people are listening.
You have to remember when we were going once a month, we were putting out issues that were 480 pages, and people were complaining that these were too big, I can't get through a 480 page magazine every month.
I think when I started in wrestling, I hadn't realized how difficult locker rooms were going to be. I thought they were going to be more inviting than they were.
Since my act is a goofy reflection of what's going on in my life, I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject. So when I started getting laughs, I started doing more material about it. When people come to see my shows, there are a lot of stoners in the audience, but there are also a lot of people who just like me. So I try to give a healthy mix, where people aren't going "There are too many jokes about pot!" or "There's not enough jokes about pot!"
When I first started, in 2006, it was an exciting time. Independent, cool, weird artists were being successful, and magazines were writing about them, and people were getting played on radio that were, like, really good.
I'm naturally sort of a sad person, and that comes out in my music, but when I realized how many people were listening to it... I wanted to be a little more conscious about what I was putting out and what people were going to be taking from it.
I might have been lucky to grow up in the 90s, but I think, actually, we started getting complacent about prejudice. We thought we had killed prejudice, and if you were still talking about it you were just going on too much.
With my first high school band ever, we would have these breaks in the song for idiotic solos, solos that were un-tasteful and would be shredding, but I needed to put them in there, and I realize now it's because we were playing shows with a whole bunch of bands that were all male.
It all changed when I realized I'm not the only one on the planet who's scared. Everyone else is, too. I started asking people, Are you scared, too? You bet your sweet life I am. Aha, so that's the way it is for you, too. We were all in the same boat. That's probably what is so effective at our workshops. When I ask, Who else feels like this? the whole room of hands goes up. People realize they are not the only one who feels that way.
When I started doing Twitter, I realised there were so many people following me who were going through the same thing I was going through.
One day, walking through the Bronx streets, I just realized that people were stopping me, taking pictures, and noticing me from across the street. I can't even use public transportation anymore, so I kind of stopped going places and started going straight to the studio, going home, and telling people I can't go anywhere anymore.
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