A Quote by Robert Gottlieb
The finest chroniclers of the great and the near-great have often been courtiers - the Duc de Saint-Simon, for instance, or Lady Murasaki.
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Preachers are not sermon makers, but men makers and saint makers, and he only is well-trained for this business who has made himself a man and a saint. It is not great talents nor great learning nor great preachers that God needs, but men great in holiness, great in faith, great in love, great in fidelity, great for God - men always preaching by holy sermons in the pulpit, by holy lives out of it. These can mold a generation for God.
The great things in life are what they seem to be. And for that reason, strange as it may sound to you, often are very difficult to interpret (understand). Great passions are for the great of souls. Great events can only be seen by people who are on a level with them. We think we can have our visions for nothing. We cannot. Even the finest and most self-sacrificing visions have to be paid for. Strangely enough, that is what makes them fine.
As the Dauphine stepped out of her carriage on to the ceremonial carpet that had been laid down, it was the Duc de Choiseul who was given the privilege of the first salute. Presented with the Duc by Prince Starhemberg, Marie Antoinette exclaimed: 'I shall never forget that you are responsible for my happiness!
Narrative art, the novel, from Murasaki to Proust, has produced great works of poetry.
'Heroes' was great, but I was like the sorority sister, the friend. So often, we as black women, we are cast as the best friend; we are rarely the leading lady. So for me, being on 'The Flash,' it's been so important for me to be the leading lady, to be the woman that is desired by the superhero, to be the hero herself.
Washington has become our Versailles. We are ruled, entertained, and informed by courtiers -- and the media has evolved into a class of courtiers. The Democrats, like the Republicans, are mostly courtiers. Our pundits and experts, at least those with prominent public platforms, are courtiers. We are captivated by the hollow stagecraft of political theater as we are ruthlessly stripped of power. It is smoke and mirrors, tricks and con games, and the purpose behind it is deception.
If God causes you to suffer much it is a sign that He has great designs for you and that He certainly intends to make you a saint. And if you wish to become a great saint, entreat Him yourself to give you much opportunity for suffering; for there is no wood better to kindle the fire of holy love than the wood of the cross, which Christ used for His own great sacrifice of boundless charity.
Hannibal at eighteen was rooting for Mephistopheles and contemptuous of Faust, but he only half-listened to the climax. He was watching and breathing Lady Murasaki...
Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough in the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
In writing my historical novels, I have to rely upon my imagination to a great extent. I think of it as 'filling in the blanks.' Medieval chroniclers could be callously indifferent to the needs of future novelists. But I think there is a great difference between filling in the blanks and distorting known facts.
Leaders of the Church have often been Narcissus, flattered and sickeningly excited by their courtiers. The court is the leprosy of the papacy.
People call me a saint and I think, I have to work harder. Because a saint would be a great thing to be.
If, in looking at the lives of princes, courtiers, men of rank and fashion, we must perforce depict them as idle, profligate, and criminal, we must make allowances for the rich men's failings, and recollect that we, too, were very likely indolent and voluptuous, had we no motive for work, a mortal's natural taste for pleasure, and the daily temptation of a large income. What could a great peer, with a great castle and park, and a great fortune, do but be splendid and idle?
Ringo is incredible. He's the greatest. Simon Kirke is great as well, so is Ian Paice. All of these British drummers from the '60s are great. They were big influences on me.
I used to get recognized quite often as being a 'Soul Train' dancer. Quite often, which was great at times but sometimes was not so great. Especially, back at college, it was not so great. It was pretty tough.
When I encountered "The Lady of Shallot" (to take a "for instance" allusion from the many in the book, this one from the "Etiology" section) it was still considered a "great poem." What does that poem - or rather a particular presentation of that poem (hey, admire this!) - do to a young woman?
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