A Quote by Robert Hilburn
I haven't felt the excitement for so many years. I feel guilty beyond words about these things. When we're back-stage and the lights go out, and the manic roar of the crowd begins, it does not affect me. The fact is, I can't fool you. It isn't fair to you or to me. The worst crime I can think of is to trick people by faking it, and pretending to be having 100% fun.
Related Quotes
I haven't felt the excitement of listening to as well as creating music along with reading and writing for too many years now. I feel guilty beyond words about these things. For example, when we're backstage and the lights go out and the manic roar of the crowds begins, it doesn't affect me the way in which it did for Freddy [sic] Mercury who seemed to love, relish in the love and adoration from the crowd, which is something I totally admire and envy.
The worst crime I could think of would be to pull people off by faking it, pretending as if I'm having 100% fun.
But the worst feeling as a crowd work practitioner is that not only is crowd work, for me, the most fun thing to do on stage - I always say the less written jokes I tell in a set the more fun I was having--but it's also a secret weapon.
At the moment when I come on stage and I hear the excitement, I can feel the excitement of the crowd. That's the most important thing to me.
Many people feel "guilty" about things they shouldn't feel guilty about, in order to shut out feelings of guilt about things they should feel guilty about.
And from the first moment that I ever walked on stage in front of a darkened auditorium with a couple of hundred people sitting there, I was never afraid, I was never fearful, I didn't suffer from stage fright, because I felt so safe on that stage. I wasn't Patrick Stewart, I wasn't in the environment that frightened me, I was pretending to be someone else, and I liked the other people I pretended to be. So I felt nothing but security for being on stage. And I think that's what drew me to this strange job of playing make-believe.
there was something about that city, though it didn't let me feel guilty that I had no feeling for the things so many others needed. it let me alone. sitting up in my bed the lights out, hearing the outside sounds, lifting my cheap bottle of wine, letting the warmth of the grape enter me as I heard the rats moving about the room, I preferred them to humans. being lost, being crazy maybe is not so bad if you can be that way undisturbed. New Orleans gave me that. nobody ever called my name.
Every true-crime thing you see goes in with that kind of ominous music and low lighting, so to be able to talk about these things but not have to feel somber about it and not feel guilty that you're not feeling somber about it - I think that's what appeals to me.
One of the things that did intrigue me about when I read the pilot - because I had not read the books before doing the show - was the mystery aspect of it. I didn't feel that it was just a crime-based story. It really does have that mystery element, and it felt like a throwback to other shows in the past that had a bit more of that. There was something iconic about it. The fact that it's set in Boston gave it a feeling that was different to me. So, I am definitely more of a fan of mysteries than I am of a circular crime-based genre.
The best thing about me is that I am generally very honest - not hurtfully honest, but honest. The worst thing about me is that everybody can make me feel guilty. I feel responsible about things that don't even concern me.
It's fun, and a laugh for you... you can boo me and feel happy about yourself because you're part of the crowd that did that. But deep down there were people in that crowd booing me because of my Aboriginality.
I am having so much fun performing, I feel almost guilty. I think, my God, I hope no one comes and busts me for this.
I've run out of mates that haven't had a baby now. It does make me think of my parents having a family so young and the fact that I've been able to avoid it for so long. It does make me a feel a little bit selfish.
If I accept the fact that a god is absolute and beyond all human experiences, he leaves me cold. I do not affect him, nor does he affect me. But if I know that a god is a powerful impulse in my soul, at once I must concern myself with him, for then he can become important
A successful competition for me is always going out there and putting 100 percent into whatever I'm doing. It's not always winning. People, I think, mistake that it's just winning. Sometimes it could be, but for me, it's hitting the best sets I can, gaining confidence, and having a good time and having fun.
If it wasn't for my trainer - who comes looking for me three times a week before 7 A.M. - I wouldn't get my butt out of bed and into the gym. There are many mornings when I think about faking a sprained ankle, but I just put it out of my head and make myself go.
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