A Quote by Robert J. Sawyer

I'm a very skeptical guy: my willing suspension of disbelief doesn't go very far when I'm reading other people's SF, and it goes even less far when I'm writing my own.
A radical is one of whom people say ''He goes too far.'' A conservative, on the other hand, is one who ''doesn't go far enough.'' Then there is the reactionary, ''one who doesn't go at all.'' All these terms are more or less objectionable, wherefore we have
I write about, more or less, everything I can think of, that is I stretch my imagination as far as it'll go. I am kind of stuck in the middle as far as my life goes, and hence my imagination tends to zero in on things which are indeed in the middle. That is, I don't write about the very rich, who I scarcely know, or the very poor who I don't know very well either.
When it comes to acting, people talk about the suspension of disbelief that you ask of the audience. Before that starts, you have to, as an actor, suspend your own disbelief.
I think the rising and falling popularity of areas like hard SF and far-future SF is, to a considerable extent, the same as any other fashion.
A job letter, an interview - even a writing sample - have far less to do with intellect and far more to do with aesthetics than you think.
If you go too far, it'll blow your mind. I mean it's strong out there. If you go out too far beyond the bounds of attention, there are things in the universe, in the universes of mind, in the inner worlds, it's best sometimes not to deal with unless you're very, very far along.
The notion that the campus has its hands tied if a woman is not willing to go to the police, if the woman is only willing to go so far as, "I just don't want to see him in my dorm anymore," is ridiculous. If that's as far as she's willing to go, then we need to accommodate that. And a university needs to be able to accommodate it.
It is an admonition to myself when I am reading other people's books. Writing a book is very difficult to do, even a bad one. I try to remember that when reading someone else's work.
Indeed, Rusbridger has finessed for the Guardian a certain willing suspension of disbelief and is able to credibly maintain conceits and moral standards to which his own behaviour hardly conforms.
It is now life and not art that requires the willing suspension of disbelief.
Man goes far away or near but God never goes far-off; he is always standing close at hand, and even if he cannot stay within he goes no further than the door.
After reading all of these items, where [Hillary Clinton is] so guilty, [James Comey] let her off the hook. While other lives, including General [David] Petraeus and many others, have been destroyed for doing far, far less. This is a conspiracy against you the American people and we cannot let this happen or continue.
Very little in science fiction can transcend the gimmickry of a technical conceit, yet without that conceit at its heart a book is not truly science fiction. Furthermore, so little emerging thought and technology is employed by sf writers today that the genre is lagging far behind reality both in the cosmology area and the technology area: sf is no longer a place to experiment, but is now very derivative.
That willing suspension of disbelief for the moment, which constitutes poetic faith.
Those who write need that "willing suspension of disbelief ", as Coleridge called it.
By 1990 I went back to no gasoline; I was just riding around on my bike, taking the bus. I had a tiny little electric car that didn't go very far or very fast. People thought I'd lost my mind. Even my own family thought I'd lost my mind.
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