A Quote by Robert Lawlor

John Michell's The Dimensions of Paradise is inarguably among the most important Gnostic transmissions of recent generations. With his candid, uncomplicated style, John has made widely available the visions, the laws, and the numbers held within pure geometry and which integrate earth and sky, movement and form, cosmos and mankind.
John Farrar, my dear friend and songwriter/producer of most of my hits (he wrote "You're The One That I Want" and "Hopelessly Devoted to You," among others), wrote the song ["I Think You Might Like It"] and it captures so much fun and joy! Having that reunion as well, with John and John - made the project even more special!
Among archetypal images, the Sacred Tree is one of the most widely know symbols on Earth. There are few cultures in which the Sacred Tree does not figure: as an image of the cosmos, as a dwelling place of gods or spirits, as a medium of prophecy and knowledge, and as an agent of metamorphoses when the tree is transformed into human or divine form or when it bears a divine or human image as its fruit or flowers.
"March" was inspired by "Martin Luther King and the Montgomery Story." I actually first heard about that comic from John Lewis, who told me that it played an important role in the movement. And so once he told me about that, it made me start thinking, "Well, why doesn't John Lewis write his own comic book?".
[John] Adams was the best and most colorful stylist among the Founders. Although [Tomas] Jefferson is widely regarded as the smoothest writer, Adams is by far the most engaging and imaginative.
When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, "Hey you, Step Brother!"
When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, 'Hey you, Step Brother!'
John Fahey, thought during his lifetime to be possibly more than a little crazy, was the author of some thirty albums of gnomically introverted droning guitar instrumentals, which I listened to heavily in my teens and twenties; I even produced an hour or so of banjo music in an imitative John Fahey style.
I continue to take inspiration from John Locke, John Stuart Mill and those more recent freedom fighters of the 1960s who challenged conformism and repression.
Cubism is still the most important art movement for the same reason that John D. is still the most important Rockefeller.
When I think about him, I think about him as John and John Wick. I think of John Wick being the assassin part of John. I would say that guy has strong will; never gives up; he's kind; and there's honor about him. He's also a man of strength. There are even some vulnerabilities to him. Most importantly, he's good at his job.
"Both Christianity and Islam are logocentric," he told his students, "meaning they are focused on the Word. In Christian tradition, the Word became flesh in the book of John: 'And the Word was made flesh, and He dwelt among us. 'Therefore, it was acceptable to depict the Word as having a human form. In Islamic tradition, however, the Word did not become flesh, and therefore the Word needs to remain in the form of a word … in most cases, calligraphic renderings of the names of the holy figures of Islam."
'The Blacklist' was really right place, right time. I read the script and met with Jon Bokenkamp, John Eisendrath, John Fox and John Davis, and we just hit it off. They understood that I was not so much trying to adapt to television, but adapt a cinematic style to the things that we were gonna do.
I worked a lot with Nick Knight and John Galliano when John was at Dior. He also made my wedding dress. He'll always hold a special place; I have most of my memorable, iconic moments in fashion with him.
John's legacy? His bravery. When he had the power, he used it. He really wanted peace on Earth, and John's lyrics, well, that's the brave poetry of the '60s. If he had stayed with us, he could have done so much more.
Among the events of John McCain's five-and-a-half years of imprisonment and torture in North Vietnam, probably the most heroic, and surely the most celebrated, was his refusal to accept an early release from his captors.
Again and again [Tomas] Jefferson deftly sidesteps many of [John] Adams's often provocative remarks. They both felt the correspondence, which was written for posterity, was too important to risk by being too candid with one another.
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