A Quote by Robert Pattinson
Contact lenses make me miserable, as soon as I put them in. That's what creates the pouting and brooding character.
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I put contact lenses in my dog's eyes. They had little pictures of cats on them. Then I took one out and he ran around in circles.
I know that lack of contact creates more lack of contact, and contact creates more contact, or at least an ability to talk to with each other.
I have a big thing with eye contact, because I think as soon as you make eye contact with somebody, you see them, and they become valued and worthy.
To me, wearing glasses is no pleasure, but once I conceded that I simply couldn't properly judge distance without them, I began to experiment. I tried glasses and found them uncomfortable. I switched to contact lenses, and they also bothered me.
I'm not done yet making people miserable. If they're going to make me miserable, then I'm going to make them miserable.
Joel Schumacher fired me from 'Batman & Robin.' I don't think anybody knows that. I was having trouble with these contact lenses that were supposed to make your eyes glow under blacklight.
I miss the woods. Sometimes I go on weekend trips and just wander the woods, barefoot and reminiscing, and I put my contact lenses in. Is that weird?
Because I am a horrible flincher, contact lenses are not an option. I'm always envious of contact-wearers. There are endless reasons to take off one's glasses during the day and, as I have grown older, what I don't see has become increasingly pronounced.
Actors work with their look. I come from the Lon Chaney Sr. school of acting. I'll wear wigs, I'll wear nose pieces, I'll wear green contact lenses in my eyes. I'll do whatever I need to do to create a character.
The more limitations you put on a character often times the better a character you'll make them, the more interesting the story becomes because the character can't simply wave a hand and make something happen. They have to work within the framework.
The more limitations you put on a character, often times the better a character you'll make them, the more interesting the story becomes because the character can't simply wave a hand and make something happen. They have to work within the framework.
With any tween, you have issues, from what they are going to wear to school, to how do you get them to speak politely, to how regularly they lose their contact lenses.
My size has helped make me an amazing performer too. The cliche of the Funny Fat Friend: I absolutely was that character - I am that character... It's a complicated bag of tools I acquired, and I've put them all to work onstage.
In my carjack I immediately knew not to resist. I put my hands up, I didn't make eye contact, I didn't speak with them, I didn't argue with them, and he searched me - I knew he was going to search me, because I was told they would probably search you for phones or keys. I think once you expect something it's not as scary.
I would like to break out of this "dark, brooding" image, cause I'm actually not like that at all. In Ireland, brooding is a term we use for hens. A brooding hen is supposed to lay eggs. Everytime somebody says "He's dark and brooding" I think: "He's about to lay an egg".
Today's clunky smart glasses will be replaced by smart contact lenses. We'll command them by voice, blinking, or even thinking, to interact visually in 3-D with the Internet.
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