A Quote by Robert Smithson

As long as cameras are around no artist will be free of bewilderment. — © Robert Smithson
As long as cameras are around no artist will be free of bewilderment.
If the creative artist worries if he will still be free tomorrow, then he will not be free today.
I think an artist can fit under a few different categories depending on how much you explore your creativity. It can vary from artist to artist from musician to performer to vocalist. I thrive on creativity. So in the long run I want to be an all around entertainer.
Working in 3D I didn't experience much of a difference, except that the cameras are very big so they can't be moved around with as much ease. It was more like, when you've seen photos of cameras from the 1930s being moved around with these huge cranes. So there was something quite sort of old-fashioned about it almost.
Sell your cleverness and buy bewilderment. Cleverness is mere opinion. Bewilderment brings intuitive knowledge.
Love is the ark appointed for the righteous, Which annuls the danger and provides a way of escape. Sell your cleverness and buy bewilderment. Cleverness is mere opinion, bewilderment intuition.
To write a song is one thing, to get it to No.1 is another and to have a respected artist cover it is incredible. It's great to know my songs will be around for a long time.
It seems to me that the term 'free will' is one of the most manipulated and exploited terms. The real explanation of free will is not that you have free will but that your will can eventually make you free, that will can liberate you, that will can release you from slavery.
Editors and reporters are not as free and independent to invite a variety of opinions as they might think. They are free to say what they like only as long as their bosses like what they say. They are free to produce what they want if their product remains within acceptable political boundaries. You will have no sensation of a leash around your neck if you sit by the peg. It is only when your stray that you feel the restraining tug.
But slowly I began to use cameras and then think about what it was that was going on. It took me a long time, I mean I actually played with cameras and photography for about 20 years.
The river is of the earth and it is free. It is rigorously embanked and bound, and yet it is free. To hell with restraint, it says, I have got to be going. It will grind out its dams. It will go over or around them. They will become pieces.
As far as I can see, it's not important that we have free will, just as long as we have the illusion of free will to stop us going mad.
From analog film cameras to digital cameras to iPhone cameras, it has become progressively easier to take and store photographs. Today, we don't even think twice about snapping a shot.
For a period of time, I carried cameras with me wherever I went, and then I realized that my interest in photography was turning toward the conceptual. So I wasn't carrying around cameras shooting stuff, I was developing concepts about what I wanted to shoot. And then I'd get the camera angle and do the job
For a period of time, I carried cameras with me wherever I went, and then I realized that my interest in photography was turning toward the conceptual. So I wasn't carrying around cameras shooting stuff, I was developing concepts about what I wanted to shoot. And then I'd get the camera angle and do the job.
This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.
I am an artist, and I have the ability and the free will to choose the way the world will envision me.
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