A Quote by Roberto Benigni

Dante Alighieri was not only a Christian poet or a priest, he was a man. He was a real poet. We can understand that the goal of Divine Comedy is beauty. You don't need also to understand Italian or to know Italian, because when Dante's writing, when we recite Dante out loud, it explodes a cosmos of illumination like to recite music, a symphony.
Dante Alighieri is a universal poet, and great creators, they are writing for everybody always. Every single verse is very moving, and the beauty - if we don't understand, we just stay listening to the sound and it's like hearing music.
Dante would not have forgotten: they say that when Dante was a boy, he was asked: Dante what is the best food? to test his memory. Eggs, replied Dante. Years later, when Dante was a grown man, he was asked only: how? and Dante replied: fried.
I really had wanted to learn Italian for a long time. I think ever since - or even maybe even before I had read Dante. And I just sort of had this idea that I wanted to read Dante in Italian. And then in my office, we actually had a class - an Italian class.
Dante Alighieri has the most glorious imagination of modern poetry. So it's talking about us, it's concerning us. Everything in it conveys sentiment, emotions. He is really the greatest poet ever. So I am really very proud to present the shining pearl of Italian culture around the world.
So, then, the best of the historian is subject to the poet; for whatsoever action or faction, whatsoever counsel, policy, or war-stratagem the historian is bound to recite, that may the poet, if he list, with his imitation make his own, beautifying it both for further teaching and more delighting, as it pleaseth him; having all, from Dante’s Heaven to his Hell, under the authority of his pen.
In a way, that's also a recognition that Dante needs Virgil and that the Inferno needs the Aeneid and that the epic needs a model and that for Dante to write this great poem he needs someone to come before him and he turns to Virgil's text, especially book six where Aeneas goes down into the underworld. And for me, that's a model of the poet's relationship to previous poetry, to another poetry as calling out for guidance.
When I was a little boy, I was reading Dante and I was saying to myself 'Bravo, Dante, Bravo.' It's so beautiful, the music, the sound, the meaning. I felt like calling him by phone, like a friend.
For a man to become a poet (witness Petrarch and Dante), he must be in love, or miserable.
Dante.Oh,Dante.Seal me!Seal me so hard!.He grabs my hips andpumps his toward mine.Oh,Dante! You're so hot when you seal souls.I shove my idiot-of-a-best-friend off me and laugh.What the hell was that? I ask.My new move.
If Dante was writing The Divine Comedy in 2013, he might very well have set part of it in the suburbs.
Although I studied Dante's Inferno as a student, it wasn't until recently, while researching in Florence, that I came to appreciate the enduring influence of Dante's work on the modern world.
Remember tonight...for it's the beginning of forever. - Dante Alighieri
'The Dante Club' was one of America's most important book clubs, as their Wednesday night meetings ultimately led to our country's first exposure to Dante's poetry on a wide scale.
Dante can be understood only within the context of Italian thought, and Faust would be unthinkable if divorced from its German background; but both are part of our common cultural heritage.
To paraphrase the great poet Dante, the heavens swirl above us and our eyes are still cast to the ground.
Gradually we come to admit that Shakespeare understands a greater extent and variety of human life than Dante; but that Dante understands deeper degrees of degradation and higher degrees of exaltation.
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