A Quote by Robin Williams
You don't need cocaine! There's another way to get real high, and really mess your mind up, it's called marathon running!
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It's not that your back hurts, .. You get these horrible, ice cream brain-freeze headaches. So I would go in on the weekends and get these things called blood patches, where they'd shoot blood into your spine. It was like running a marathon to get it done.
It may sound like a mess, but sometimes mess can be okay, mess can be fine. Sometimes mess is just another word for living your life as real you, not someone else's version of what they think you should be.
I really can't tell you the feeling I feel, like, being on stage: it's such a high; it's like running a marathon. You just can't get that feeling anywhere else.
When I use the words 'inner journey', I simply mean that you have looked at one aspect of the journey in your life called 'outer', now try to look at another aspect of the journey called 'inner'. You have been running after money, now run after meditation. You have been running after power, now run after God. Both are running. Once you start running after meditation then one day I will tell you, 'Now drop meditation too. Now stop running.' And when you stop running then real meditation happens.
But a mature humanity could get into a place where we no longer required these metaphysical spankings from messiahs and flying saucers that come along every thousand years or so to mess up the mess that has been created and try and send people off on another tack. And the way to do this is to look at the abysses that confront man as species and individuals and try to unify them. And I think that psilocybin offers a way out because it allows a dialogue with the over-mind. You won't read about it in "Scientific American" or anywhere else. You will carry it out.
Where war destroys, art inspires. And in order to inspire, you need to penetrate the brain. In order to penetrate the brain, you need something to react to. To have something to react to, you need to get your emotions up and running. To get your emotions up and running, you need to have something that ... whatever direction you go in, it has to be a movement between you and the experience.
When people can be vulnerable to one another then you're kind of giving people permission to really be yourself and not try to impress all the time and you get into more interesting work. You're being real and you're not afraid to mess up or seem weird.
If you're too disciplined, it can mess up your mind. You need to have that treat for yourself.
I was really unfit for a while, so once I began running, I developed an obsession with it and started feeling really good. Then I thought I'd run a marathon after watching the London Marathon on TV. So I did it and had a good time. And then I ended up doing a bunch, and I was like, 'What if I could go further?' So I found out about Ultra Marathons.
Running a marathon is a stressful event for your body, mind and spirit. But when you put yourself through that willingly, consciously and in a learning atmosphere, you begin to understand how to deal with any stressful situation in a way that does not drain you.
You have to forget your last marathon before you try another. Your mind can't know what's coming.
I think animation is like running a marathon, and making a movie is like a 100 meter sprint. The question is: are you a marathon man or are you a sprinter? I realized that I was more of a sprinter than a marathon man. With a long, long project, I get bored easily.
Running a marathon is unlike anything I have done. You can recall all those bad weights sessions or the work you had to do in pre-season, but marathon running is worse than any of it, probably the hardest thing I have had to do in my entire life.
I used to find myself goofed out in the street on drugs. And I had such a bad problem with addiction at the time that I didn't mind. I was dealing cocaine and shooting up a lot of cocaine. And that's not a good space to be in.
People might get mad for five or ten minutes, but then they respect you more. And the next time they see you, they'll tell their friends, "Don't go up to him with that stuff - he don't mess with cocaine."
When you get into a production, there are a lot of things you have to hit to make the show work - like my cues or a cue for another person or making sure you don't mess up the beat, and you can let all of that get in the way.
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