A Quote by Robyn
Filming costs so much money, so it's such a nerve-racking process, whereas being in a studio is quite cheap compared to that, so you have more time to work on things until you feel good about them. That makes it easier to explain a certain feeling and be in a vulnerable place while making sure it does what you want it to do.
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I always feel vulnerable talking about the poetry aspect of my career because it's little diary entries that I need to sometimes close read, and to reveal that much, it's a bit nerve-racking.
Doing something that empowers people makes you realise how boring it would be to work for a place where the goal is just to make more money. It's much easier to get out of bed and look forward to 12 hours of work if you're making the world a better place.
If you really want something, it's nerve-racking, but at the same time, I try not to stress myself out about it too much because there are also so many arbitrary things that go into being cast for something - you know, like the color of your eyes, all these things that are kind of out of my control.
I keep getting compared to Marina and the Diamonds because she's kind of in the same place as me at the moment. It's quite annoying being compared, actually, because it almost downgrades your work and makes you feel like you're just another female artist.
I suspect the reason is that most people [...] have a residue of feeling that Darwinian evolution isn't quite big enough to explain everything about life. All I can say as a biologist is that the feeling disappears progressively the more you read about and study what is known about life and evolution. I want to add one thing more. The more you understand the significance of evolution, the more you are pushed away from the agnostic position and towards atheism. Complex, statistically improbable things are by their nature more difficult to explain than simple, statistically probable things.
I don't think I'm a chameleon. I can feel where people are coming from, what makes them tick, where they are vulnerable, what makes them feel good about themselves. I get just as much out of it as they do. I love connecting.
When they said there was gonna be about 100,000 people at Woodstock, and it went up to 200,000, I just blanked off and thought, 'I don't want to do this.' If they're filming it, it's too nerve-racking.
I definitely feel much more comfortable in front of the cameras after 'The Hills.' Before, it was much more nerve-racking.
Filming is such a nerve-wracking and stressful process for me. I love it so much, and it's so fun, but I never have a time to fully appreciate it until after I'm done and I get to step back and look back at it.
I think, honestly, that ego makes you most vulnerable. When you are in humility you are much more comfortable, open and okay with BEING vulnerable, whereas the ego is the protecter, and even though you think you're protecting, I think you are more vulnerable if you're in ego.
I don't want the people I'm with on this journey to feel like I'm filming them all the time. I don't want them to constantly feel as though they're being watched. So I will have the camera ready at all times, but I will only film when something is really worth filming. Those are the moments when the person being filmed is usually not aware of it.
Well, the beginning is actually quite easy, because I can still be quite free about the way I handle things - colours, shapes. And so a picture emerges that may look quite good for a while, so airy and colourful and new. But that will only last for a day at most, at which point it starts to look cheap and fake. And then the real work begins - changing, eradicating, starting again, and so on, until it's done.
I can't judge how another person does their [music] work. Everyone has a choice and the music industry is much more open that it was when I was younger. Certain things are gone, others have developed, but everyone makes their choices. Pop music has always been about the mainstream and what appeals to the public. I don't feel it's my place to judge. I just look at things as a fan, I like or or I don't like it.
I want to make big movies - but I don't want to have to die a little death every single time I do. Until I meet the people or the studio or the business people who will let me do things a little bit more the way that I need to do them, I probably shouldn't be making big studio movies.
I don't feel comfortable without certain things. I always want some money in my pocket to do whatever I want. Even if it's something like I want to eat food that costs more than what I got.
Quite low down in the list is "How much am I going to be paid?"... my main feeling about money is that I don`t want to feel as though I`m being taken advantage of... The other actors they asked to play Gandalf wouldn`t go to New Zealand on that money for that length of time. I thought it would be a bit of an adventure... I`m an eccentric actor, and there`s a lot of us around.
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