A Quote by Robyn

I don't want to have that thing where I make an album and then I'm super-constantly present in everyone's life for three years, and then gone for the next three. — © Robyn
I don't want to have that thing where I make an album and then I'm super-constantly present in everyone's life for three years, and then gone for the next three.
One thing I'm big on is believing in giving an album time. I'll say you'll have to give an album three years before you can call it a classic. If you can't listen to it three years later then it's not really a classic.
When it's been a long day of climbing, and I feel like I can't go any farther, I concentrate on the next three feet. And then the next three feet; and then the next three feet. Pretty soon, I'm at the top.
It takes six years to make a golfer: three to learn the game, then another three to unlearn all you have learned in the first three years. You might be a golfer when you arrive at that stage, but more likely you are just starting.
We never came into the business with a plan beyond the next three months. It's all been a natural thing for us to go off and travel and then maybe record an album.
The important thing is to abide by the rule of threes. Either you see a woman three times in quick succession and then never again, or you maintain relations over the years but make sure that the rendezvous are at least three weeks apart.
It's tough to make funny films. And the truth is, with this process, especially if you write your own movie, then you're giving three years of your life to it. And so, I just have to be sure that when I embark on it that I'm happy to think that in three years' time I'm going to be sitting in a room on the tenth floor of an odd office building at Ginsberg Libby talking about it. So I'm keen not to jump into it too quickly and just make sure it's something that I really want.
I take 10 minutes. I focus on what I'm most grateful for. Then I do a little prayer for three minutes, a blessing within myself through God, and then out to my family and friends and all those I serve. Then my last three minutes are the three things I want to achieve most. At the end of 10 minutes, you are wired. Everything in your life gets filtered through that.
I gave up accounting. I went in for about six months writing ad copy. I was fired from that, and then another guy and I did a kind of poor man's Bob and Ray kind of syndicated radio show. Then I decided to stick it out and see what happened. I'd give it a year, a year became two years, and then two years became three years, and then along came the record album.
I couldn't get published for three years. Then the times changed: glasnost, perestroika. So, for three years, I wasn't allowed to publish 'The Unwomanly Face of War,' but then it changed.
Just by coincidence, Senator Teddy Kennedy and I, in the last couple of days, after several months of negotiations, have reached an agreement for an immigration proposal that we will be putting out next week, ... our proposal is along the lines of make them pay a fine of a couple thousand dollars, make them work for three years, and after three years they can get in the back of the line for a green card and then eventually become citizens.
We study ourselves three weeks, we love each other three months, we squabble three years, we tolerate each other thirty years, and then the children start all over again.
What I do is work for three or four years and then I take a year off, and then I come back again and work for three or four years and then take another year off. It is not about just working and then writing for a year. That is not how it is structured. It is about doing very conscious goal-driven activities for four years and then taking a year off in complete surrender to discover facets of myself that I don't know exist and exploring interests with no commercial value associated with them at all.
There is a discrepancy of somebody going to an art dealer and promising what they'll make for the next three years. And I'm old fashioned that way; I think that every exhibition you make is supposed to put you in the world, that the next exhibition is spinning off of that. It's almost like a riff. And if you know what you're going to do for the next three years, why don't just do it the final point? You would think, in a progressive situation, that the final would be the best.
The most interesting thing about writing is the way that it obliterates time. Three hours seem like three minutes. Then there is the business of surprise. I never know what is coming next. The phrase that sounds in the head changes when it appears on the page. Then I start probing it with a pen, finding new meanings. Sometimes I burst out laughing at what is happening as I twist and turn sentences. Strange business, all in all. One never gets to the end of it. That’s why I go on, I suppose. To see what the next sentences I write will be.
To me, the excitement is in ordering a fine shotgun, going through the process that everybody who has bought one has gone through for 100 years. You order it, you make a significant down payment, and then you wait three or four years for the gun to be custom-made for you.
I met Jeb Bush in 1971 in my hometown in Mexico. We dated for three years back and forth. Then, after three years, he proposed to me.
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