A Quote by Roger Andrew Taylor

You never know how you're going to be received, after all this time. The initial response we had was just overwhelming, particularly that tour of the States. — © Roger Andrew Taylor
You never know how you're going to be received, after all this time. The initial response we had was just overwhelming, particularly that tour of the States.
Before the TV show of Jessica Jones, the response to Miles [Morales] is so overwhelming, and so constant, and it's been five years now. I can't even express to you how powerful it is on my end. It's overwhelming how much it was needed, that I didn't know that's what was needed.
Sometimes you walk into things, that, if you were paying attention, vibrationally, you would know right from the beginning that it wasn't what you are wanting. In most cases, your initial knee-jerk response was a pretty good indicator of how it was going to turn out later. The things that give most of you the most grief are those things that initially you had a feeling response about, but then you talked yourself out of it for one reason or another.
We just got a tour bus. I didn't know tour buses could be this nice. It's just me, Brian Haner the guitar guy, the tour manager and a writer. We laugh ourselves silly. Apparently we're going to have a road dog, a miniature pincher. It's the smallest they've ever seen. How masculine am I going to look, working with dolls and a miniature dog?
After 'Disturbing Behavior' and the pummeling I received creatively and emotionally, I did not know if I had it in me to do it again, but I just jumped back in and said, 'This is what I love to do so much, so I'm just going to do it as well as I can.'
When you work on something in an edit room with just a couple of other people, you never know how it is going to be received.
Fame will take care of itself. One thing I've learned about fame is that, hey, you can't control it. You don't know how you're going to be received or perceived when you step out of a car, when you arrive some place. And you never really know how big something is going to get, so you have to set some standards for yourself, and just abide by those.
Most of the time, particularly with this record, 'The Light of the Sun,' I really just been standing in front of a microphone and blacking out musically, you know. I'd come back a couple hours later and there's six songs from beginning to end, you know? I don't know what I'm going to say. I don't know how I'm going to say it.
After my first song in 2015, I had received a great response from audience, and directors always appreciated my work.
I was working with a number of African heads of state. And after their initial surprise, I think many of them just treated me as they would anybody else. They had to deal with me as a representative of the United States of America, and the United States of America was too important to be dismissed or ignored on any grounds.
You never know the opportunity you're going to get, and you're never going to know how good anyone can be without the best opportunities, just as it goes with time.
There was this moment, particularly after I had my first child, where I felt like, 'I don't know if I'll ever make a record, or if this is always going to be something just floating around in my head.'
You never know how your work is going to be received, and to have it be not just received by the people who wanted it or knew about it or our traditional fan base, which is pretty big, but also having it spill over to everybody who plays games, and then those people telling everybody else who doesn't play games - that's what it became.
You never know how your work is going to be received.
I'm just going to tour; that's the best way for people to get to know me. Focusing on the international stuff and breaking in to the States and U.K.
You can have a good vibe and a good feeling about something, but you never really know how it's going to be received and how an audience is going to react to it.
For me there's insecurity when you're releasing an album because you spend all of this time working on that one thing and then once it's done, it's done. After you put it out there to the public you never know which songs are going to work or even if the album is going to work as a whole so there is a little bit of nervousness around predicting what the numbers will be and if it's going to be well-received.
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