A Quote by Roger Daltrey
In those days I don't' think they were even demos.
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In the old days, there were three networks, and all of a sudden, Walter Cronkite is the most trusted man in America. Everybody believes what he says, not even thinking. In those days, we didn't even know it was being spun. We were very willing to just listen to it and go along with.
I have stood aside to see the phantoms of those days go by me. They are gone, and I resume the journey of my story.’ (David Copperfield) “But all that night he lay awake because the phantoms of those days were not gone. Like the tiny, terrible holes in the prophylactics, the phantoms of those days were not easy to detect—and their meaning was unknown—but they were there.
The short story and the truth is that I was taking vocal lessons here in New York... One day, instead of my lesson, the piano player and I went into a studio... and we put down some demos... Those demos got to Quincy Jones through an agent... He listened to them, he called me, and we started to record.
We made it. Despite the fear and predictions of doom. We made it. Even though there were days when we were tired and there were days when we forgot who we were. We made it. And we must thank the stars for this. And the birds for their beautiful songs. And the strangers who were careful to smile. We made it.
During those days when you're exhausted and during those days when you're frustrated, during those days when you're being attacked by your own people for doing what you think is right, remember you're part of a progression that goes back a long time of ordinary people who are doing their best to make it a better world.
Also I played on a lot of demos in the early days of the Stones.
I can't think of one other thing I do that even begins to compare to the joy I feel as a mom. The job is a labor of love. There are days that are painful and test you for sure, and then there are those glorious days where you pass with flying colors.
Sometimes we look back and 10 years from now we think, 'Boy, those were great old days.' Well, you know, we're living in the good old days.
Now, my tree-climbing days long behind me, I often think about the lasting value of those early, deliciously idle days. I have come to appreciate the long view afforded by those treetops. The woods were my Ritalin. Nature calmed me, focused me, and yet excited my senses.
I don't make demos. I don't have the interest or the energy or the time. Demos are something you do in the early stages of your career, but when you get going, you just go in and record the song.
Wheaties was the big sponsor in those days (1940s). They sponsored almost all the baseball games in the majors and the minors. That was a lot of Wheaties. I think there were twenty-four boxes in a case and some of these guys were hitting twenty-five and thirty home runs a season. We had a dog in those days named Blue Grass and the players used to give us their Wheaties for him. Blue Grass loved Wheaties and so did I.
What has happened is that to some degree they have taken an attitude where they don't listen to demos of diverse subject matters. They're looking for demos like the record the guy on the left just did.
Some days felt longer than other days. Some days felt like two whole days. Unfortunately those days were never weekend days. Our Saturdays and Sundays passed in half the time of a normal workday. In other words, some weeks it felt like we worked ten straight days and had only one day off.
When I first started working on movies as a production assistant, we were shooting 65, 75, 85 days. I mean, granted some of those things were "Godzilla," "Deep Impact," and those kinds of things, but these days it's like 30-35 days or 40-45 days and you just feel like you're humping trying to get everything done. It's like "Move on, move on, move on!" That's not the way to get the best performances or the most interesting shots. You have to constantly balance schedule and quality of work. For me, that's the biggest thing.
In those days, even as a boy, I watched some people that I knew were living way beyond their means.
I was producing demos for a band that was called Physical Ed. Out of production of demos I went and did a few jam sessions with then in Northern California clubs, but I never actually toured with them.
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