A Quote by Rohini Nilekani
What works at scale may be different from scaling what works. Pilots often succeed, while scale-up often fails when the context changes.
Related Quotes
Attempts to juggle domestic responsibilities with artistic production have often resulted in smaller bodies of work, and often works smaller in scale, than those produced by male contemporaries. Yet art history continues to privilege prodigious output and monumental scale or conception over the selective and the intimate.
It's so easy to practice out of context. For example, if you're learning a scale, you take that scale and you sit in your room and you go up and down the fretboard, over and over. You've gotta do that, because you need to get that scale working. But you have to keep in mind that that's not the finished product. That's the starting point.
Companies that grow for the sake of growth or that expand into areas outside their core business strategy often stumble. On the other hand, companies that build scale for the benefit of their customers and shareholders more often succeed over time.
The differing opinions regarding the gospel are often categorized as different variations of the same truth, or coming at the same truth from different angles, or even emphasizing different aspects of the same truth. This fails to recognize that the different 'variations' are often altogether different gospels. The Reformed gospel is completely different from the Roman Catholic gospel; a faith-based gospel is in direct contradiction to a works-based gospel; a truly evangelical gospel stands in contrast to an ultracharismatic gospel.
Scale is a mental - you can say that a lounger has scale, a building has scale, or an object has scale, or a page, or whatever if it's just right. A scale is a relationship to the object and the space surrounding it. And that dialogue could be music, or it could be just noise. And that is why it is so important, the sense of scale.
Companies that build scale for the benefit of their customers and shareholders more often succeed over time.
'Ides of March' I did for scale - scale as a director, scale as an actor, scale as a writer.
... placing economic activity in the context of the whole earth requires attention to the question of scale. Bigger is obviously not better, so the optimum scale of human economy in relation to the total economy becomes basically a question of sustainability. When the effects of the economy on the environment undercut the possibility of its own continuance, the scale is too large.
Many scales of climate change are in fact natural, from the slow tectonic scale, to the fast changes embedded within glacial and interglacial times, to the even more dramatic changes that characterize a switch from glacial to interglacial. So why worry about global warming, which is just one more scale of climate change? The problem is that global warming is essentially off the scale of normal in two ways: the rate at which this climate change is taking place, and how different the "new" climate is compared to what came before.
Mutually Assured Destruction, MAD, works only as long as it works; it does not know what to do if deterrence fails, for it envisions no defensive capabilities. A deterrent works until it is needed; then one needs defenses.
What I often do is just think of a completely obtuse thing to do, almost the wrong thing to do. That often works because you start a different approach, something no one has tried.
Now the problem with standardized tests is that it's based on the mistake that we can simply scale up the education of children like you would scale up making carburetors. And we can't, because human beings are very different from motorcars, and they have feelings about what they do and motivations in doing it, or not.
Before Dream Theater took off I used to teach a lot, and one of the things my students often asked me was how to apply the chromatic scale to practical playing situations. You see, their other teachers would give them chromatic warm-up exercises without providing any explanation of how important and versatile this scale actually is.
Nearly every problem has been solved by someone, somewhere. The challenge of the 21st century is to find out what works and scale it up.
For notwithstanding this rest and cessation from labor which is required on the Lord's day, yet three sorts of works may and ought to be performed. . . . these are works of piety, works of necessity, and works of charity.
What I realized with Funny or Die is that I could take it into my own hands. On a much smaller scale, I think these videos are an accurate representation of who I am. As weird as they may be, I'm at least proud of them, and it showed that I do have a slightly different voice. I can't tell you how often people bring up these videos in interviews, and I'm so happy to talk about them because we created them from the ground up.
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