A Quote by Ron Funches
Doing five-minute sets on 'Conan' and things like that are fun and a great way to introduce yourself, but it's such a constricting time, and you usually have to cut bits down.
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In terms of comedy, I never did five-minute sets or clubs or anything. I just started doing shows. Coming from that theater background, it never crossed my mind that I should start doing five-minute sets.
I feel I have lived my whole life, day to day, without planning anything and I like it that way. Things change so fast, one minute you are here, the next minute you are on a plane, it's great fun.
I call it 'new forms'. When you're starting out, they ask you to do four or five minute sets, but once you're a headliner, you do like 90 minutes. I try to think of different things to divvy up the show, like doing drawings, playing music... I gotta carry the show, that's the problem.
Doing photo booths and signings, and doing all of that for charity, and having dance parties every night, is so much fun. I like to dance, and I know other people that like to dance. It's a great way to celebrate the time that we're all down there together.
It wasn't like we cut songs out; we cut bits of songs, bits of action or bits of whatever. So we would have to go back in get a full orchestra re-orchestrate it, re-score it, re-record it. It's a massive job. But, if there's a demand we can always discuss it.
I do take lots of time off between projects, but when the right thing comes along, I don't like to turn it down, I've been doing this for a decade, and I remember what it was like when I started. You spend maybe five percent of your time actually doing it, and the rest of the time, you're trying to get that five percent.
When was the last time you wanted to say it all to the right person To have it all come out right, to surprise yourself at how together you could be. When was the last time you ever met someone who made you want to give it all to them I mean give yourself to them. Where you couldn't express yourself enough - like you wanted to cut off one of your arms to be understood. That's it - you would cut your head off to have someone understand you. You know how pointless that one is. You know how many times you've smashed yourself to bits on the rocks.
I guess once you've been acting for a long time, you glean the great bits of good directors and the bad bits from other directors, and you know the way that you would like to be directed.
Because I do so many action-oriented films, I started working with stunt people doing fight training, then I found it to be just great exercise. Also I like to be fit, so I've continued on with fight training. Right before I got to do 'Conan,' I was fighting off four guys. Its great fun. And strange.
At eight o'clock the curtain goes up and that's it, you're out there with yourself, the audience, the other players. There's no "take two" business. You're on. The great thing is the rehearsals, too. When you're bouncing around on film sets and TV sets you don't really get the opportunity to - generally speaking - rehearse much. With theater you're kind of four-to-five weeks locked down in the room with the guys figuring stuff out. It's back to play school.
If you cut me open, you would find bits of me looking at things with an aesthetic eye, also with a historical eye. But mostly at the way things have transported themselves through time.
I don't think you should spend that much time in the gym. Don't sit around between sets too long. If you want to burn some calories, keep the sets tight. Give yourself 30 seconds to a minute between each set. Supersetting is brilliant.
I like things that make me feel seven again. I don't ever look down on people for the way they choose to have fun; it's just not necessarily the way I like to have fun.
To visit a new country for the first time is great fun; but it is even greater fun to introduce somebody else to a country that you know.
That's what's so great, I get to play any character in the world. And I think that's one of the things that makes doing 'Comedy Bang Bang' or other improv podcasts so fun, as well as my own, is that you can really explore a character deeply for a long period of time that is nothing like yourself.
In my dreams, whatever I am doing, I look down to see if I have prosthetics. It sets my time frame in my dream, I think. I'd have these dreams that I am running and launching myself, and I look down and see that I have prosthetics. I have a lot of those, where I do great, amazing things with my prosthetics.
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