A Quote by Ron Howard
I used to feel that I had to be dictatorial in order to be respected, but after I did a couple of TV movies, I began to see that authority came with the job. So I began to relax and let more people into the process, and my work really improved.
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When it actually came to everyone clamoring to see the medal and talking about the experience, I began to feel empty inside. I started to feel that this piece of metal was worth more than I was as a person, and I think this began a spiral for me.
I came out to Los Angeles for a couple of meetings in the summer of 2005, and I ended up getting a movie called Firehouse Dog for Fox. And I thought, "Oh, man. I'm doing a movie. Maybe I'll work a lot more now. I'm an actor now." Then, for eight, nine months I didn't work after that. After that movie, I began to get some guest star roles, fairly consistently, but because I had been so presumptuous before in thinking that the other jobs would lead to something, I realized: "Just get up. Go to work. Go home. This is your job just like everyone else's job."
Once I returned to the Church and began to see the universe as a place that really did incorporate redemption and really tried to understand the implications of there being a God, my identification with the vampires as outcasts, as outsiders and lost souls began to totally wane. It no longer worked for me. I had done it. It had led me to this point.
I began to feel that the drama of the truth that is in the moment and in the past is richer and more interesting than the drama of Hollywood movies. So I began looking at documentary films.
Science began to be powerful when it began to be cumulative, when observers began to preserve detailed records, to organize cooperating groups in order to pool and criticize their experiences.
I realize at one point, that I was being followed, and then I began to see the surveillance that was going past the road on my house. And so, these cars began to surveil me. People began to follow me around, and it did, it was very disrupting to think that your privacy was being violated, and for no reason that I could come up with.
When I first began learning yoga, I found it really hard because I couldn't clear my mind for the meditative part of it, but then after a few weeks it became easier and I could see how it began to change my body. I became more flexible and more relaxed and at peace with my environment. I love yoga and I encourage all my friends to practise it.
If you want to serve the universe, the obvious place to begin is right where you are. That's where I began. I looked at every situation I came into and wondered, 'What can I do to be of service in this situation?' Sometimes there was nothing I could do, but often there was - a helping hand, a word of cheer, a pleasant smile. Then, after I had given a lot, a most wonderful spiritual receiving began - giving me more to give.
Only after awhile. After it came out and people began to engage in discussions about the social reflections of the film that I realized it had an importance I hadn't thought of.
I got that first record out, it came out in '47... Then my name began to ring around. I began to take over. From that point, I tell you, Chicago was in my hand, all the more time that those guys had to listen to me.
It wasn't long after I began writing Star Wars that I realized the story was more than a single film could hold. As the saga of the Skywalkers and Jedi Knights unfolded, I began to see it as a tale that could take at least nine films to tell - three trilogies - and I realized, in making my way through the back story and after story, that I was really setting out to make the middle story.
I lay and cried, and began to feel again, to admit I was human, vulnerable, sensitive. I began to remember how it had been before; how there was that germ of positive creativeness. Character is fate; and damn, I'd better work on my character. I had been withdrawing into a retreat of numbness: it is so much safer to NOT feel, NOT to let the world touch one.
In looking at these pots at the Field Museum, Alix [MacKenzie] and I both came to a conclusion individually but also collectively that the pots that really interested us were the pots that people had used in their everyday life, and we began to think - I mean, whether it was ancient Greece or Africa or Europe or wherever, the pots that people had used in their homes were the ones that excited us.
When I realized that Reuben was a young man who really wanted to be taken seriously, because he was dismissed for being too good looking or because he had too much money - his character really came to life for me. I began to understand that, and see that a lot of people feel this way - misunderstood because of their talents or gifts or background.
I began after college, about 1972. I began to teach myself photography. I went to work for a local newspaper for four years as a kind of basic training.
I decided that now is the time to start doing the things that really interest me and I find important. It was in the 10 years of the MacArthur grant that I began working on my first book... and I began putting more work into environmental history.
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