A Quote by Ronald Reagan

An actor knows two important things - to be honest in what he is doing and to be in touch with the audience. That's not bad advice for a politician either. — © Ronald Reagan
An actor knows two important things - to be honest in what he is doing and to be in touch with the audience. That's not bad advice for a politician either.
All "bad" presentations struggle to keep the audience interested. The audience squirms wishing they could escape. The audience has given the presenter an hour of their life, so they want that hour to be useful. It's disrespectful of a presenter to not show up rehearsed and prepared with information and insights that will improve the lives of the audience in some way. Presenting will do only one of two things for you: it will either diminish your credibility or yield results. Most bad presentations hurt the presenter's credibility.
There are as many forms of advice as there are colors of the rainbow. Remember that good advice can come from bad people and bad advice from good people. The important thing about advice is that it is simply that. Advice.
The best advice I've ever received is, 'No one else knows what they're doing either.
I think that artists, at a certain point, can either become defiant and say that the audience is wrong, readers don't get them, and they're going to keep doing it their own way, or they can listen to the criticism - and not necessarily blindly follow the audience's requests and advice.
I see it all perfectly; there are two possible situations - one can either do this or that. My honest opinion and my friendly advice is this: do it or do not do it - you will regret both.
If the audience knows what's behind the door and the actor does not, that's comedy. If both the audience and the actor do not know, that's mystery!
When you see Robert Englund in a movie, you think he is the bad guy, but if I'm not the bad guy, and I'm supposed to just kind of fool the audience, it makes it a lot easier for whichever actor is the bad guy. So I find myself doing a lot of those, I think they're called red herring characters, faking out the audience.
If I'm doing my job as an actor, the audience knows everything I know about the character.
The way you survive in the performing arts is by having a sense of your audience, and doing things which entertain and satisfy the audience, but in a more important way, cause the audience to question many things.
My soul knows my meat is doing bad things, and is embarrassed. But my meat just keeps right on doing bad, dumb things.
Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor
An honest politician is either a hypocrite - or he is doomed.
I don't think either one of them knows what it's all about, to be honest with you. Both sides are doing nothing but just looking towards the next election.
Everyone who knows us knows how we always encourage players to speak out, to be open and honest, to be critical. These things are very important to us.
I suppose we think euphemistically that all writers write because they have something to say that is truthful and honest and pointed and important. And I suppose I subscribe to that, too. But God knows when I look back over thirty years of professional writing, I'm hard-pressed to come up with anything that's important. Some things are literate, some things are interesting, some things are classy, but very damn little is important.
I try to do as many stunts as they'll let me do. I think it's important for an audience to feel that the actor's really doing it.
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