A Quote by Ronit Roy

I decided to do advertising, as ad films were made in only 10 days, and started assisting Sanjeev Sharma and Mansoor Khan. Surprisingly, I was a whiz kid and soon learnt to edit films and became an expert at it.
When I became a choreographer, I was not assisting any choreographer. I was assisting the director Mansoor Ali Khan for 'Jo Jeeta Wohi Sikandar.' I was the fourth assistant director.
I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
I come from the belief that all good films find their time whether it's on opening week or sometime later. That's certainly true with some of my favourite films that might relate to this [The Assassination of Jesse James] film in terms of cadence like Pat Garrett & Billy the Kid, or McCabe & Mrs Miller or Days of Heaven. I found them 10 to 20 years after they were made.
Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
With films like 'NH-10' and 'Phillauri,' what Anushka Sharma is doing, or what Shraddha Kapoor and Vidya Balan are doing with their films, the industry is changing for women.
There was a phase when I cried for days and doubted my decision to be an actor when my films were not doing well. But soon I stood up and decided to do something that could set me apart. I decided to excel in what others didn't have, I focused on my actions and my fitness.
As soon as television became the only secondary way in which films were watched, films had to adhere to a pretty linear system, whereby you can drift off for ten minutes and go and answer the phone and not really lose your place.
Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects
Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects.
At the end of the day, what difference does it make if you made 10 films or 18 films? You made 10 films, but you had a great relationship with your kids, or at least you did your best not to screw them up irrevocably, or you made 18, and they don't return your phone calls.
I don't think there has been a huge shift. Most of the films still focus on Salman Khan, Shah Rukh Khan, Aamir Khan, Akshay Kumar, etc. The percentage of films that have someone like a Kangana Ranaut shining in it is really low.
I made films with my brothers and my cousins and if any of the films ever come to fruition my career will be in ruins because the acting, writing, and directing is so unbelievably, heinously bad. We once screened one for my grandfather, this film that we had painstakingly made over a couple of days when we were all 10 years old, and he sat there and he said, "This is the worst film I've ever seen." No sympathy whatsoever.
I decided in my late teens that I wanted to be an actor, and my dad and I agreed that films were better. I work alongside my dad, you see. I've thought that films were better since I was a kid.
I used to get 2000 as pocket money, and I was being offered a car and an opportunity to make lakhs, so I said a yes. I was a kid and got homesick over my 40-day schedule in Bangalore and decided that I would only do films in the South if they were 10-day roles.
Films were always a passion for me but it was when I saw 'Salaam Bombay' that I decided that it was film direction that I was interested in. That is when I decided I wanted to direct films.
I enjoy making films. I have made all kinds of films, including action films, romantic films, period films like 'Kala Pani.'
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