A Quote by Ronny Chieng

Always being the outsider, you... feel comfortable everywhere, but you don't really feel at home anywhere. I definitely draw comedy from that. — © Ronny Chieng
Always being the outsider, you... feel comfortable everywhere, but you don't really feel at home anywhere. I definitely draw comedy from that.
Home is a relative concept for me. I've been in Los Angeles 10 years, and I definitely feel at home here, but I also feel at home in a lot of places. I'm not too attached to anywhere, really. Home is where the people you love are at the time.
I always had this put-together family, and I always identified as the outsider. And that's a position where I feel most comfortable, and yet I feel an incredible longing to belong. That is really a strong feeling from my childhood - a desire to be part of a group.
In some ways, my most comfortable feeling has been that of being an outsider coming in, but over the years I've tired of that and I'm ready to feel at home. That's what music gives me: a feeling of absolute home.
I don't really feel comfortable anywhere except when I'm working alone at home. It's exhausting to be out around people.
I have spent more time in my life working and being in restaurants than being at home. I immediately feel comfortable entering a restaurant, and I feel even more comfortable in the back with the chef and cooks.
The ideal is to feel at home anywhere, everywhere.
I've always felt like an outsider, and I'll probably continue to always feel like an outsider. Hopefully that's a good thing. I feel like I approach things differently than other designers.
I always felt like an outsider of the industry, and now I feel quite comfortable as an independent artist.
Most writers begin with accounts of their first home, their family, and the town, often from quite a hostile point of view-love/hate, let's say. In a way, this stepping outside, in an attempt to judge enough to create a duplicate of it, makes you an outsider. . . . I think it's healthy for a writer to feel like an outsider. If you feel like an insider you get committed to a partisan view, you begin to defend interests, so you wind up not really empathizing with all mankind.
I can work with shyness, but for the most part I want people to feel comfortable with me. It's really more about the photographer feeing comfortable right when they walk in that makes the subject feel comfortable.
I really like doing television shows, and I anticipated doing a comedy, because that's the place I feel the most comfortable - those are the risks I want to take. But it was always really hard for me to find a script that I really liked.
You need to know everything and feel 100 percent safe so that you can live and breathe in a role and so that you feel comfortable taking risks and trying new things and being bold. If you don't feel comfortable, if you're in a scenario that's not conducive for that kind of environment, then that's when you don't do well.
I've always wanted to make people feel better or feel alright or feel comfortable or not threatened and feel OK in their own skin.
I think being an outsider in general always helps you in comedy. I think it helps to have an outsider's eye. And so I have an outsider's voice. You know, as soon as I start talking, I don't belong here. And I think that helps in a way.
I feel as comfortable anywhere as I feel uncomfortable anywhere.
Home has always been one of the most important things. If I don't feel at home in my space, then I feel really unmoored.
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