A Quote by Ronny Chieng

I'm from Asia. You can hear it in my voice, and you can see it in my face, and that's primarily my perspective. — © Ronny Chieng
I'm from Asia. You can hear it in my voice, and you can see it in my face, and that's primarily my perspective.
When I hear people flatteringly say, 'You're an expert on East Asia...' I'm certainly an observer of East Asia, and central Asia, and ASEAN, and to a lesser extent South Asia and the Gulf, but there's always something behind the wall in China.
People see my face, they hear my voice, and I know they're thinking about my father. That's OK - he was a great man.
Yet I will look upon thy face again, My own romantic Bronx, and it will be A face more pleasant than the face of men. Thy waves are old companions, I shall see A well remembered form in each old tree And hear a voice long loved in thy wild minstrelsy.
But what I would like to say is that the spiritual life is a life in which you gradually learn to listen to a voice that says something else, that says, "You are the beloved and on you my favour rests."... I want you to hear that voice. It is not a very loud voice because it is an intimate voice. It comes from a very deep place. It is soft and gentle. I want you to gradually hear that voice. We both have to hear that voice and to claim for ourselves that that voice speaks the truth, our truth. It tells us who we are.
Eat you inside out like stress...You hear my voice, you see my face, you know my name / I take it out your ass and charge it to the game
To pull the metal splinter from my palm my father recited a story in a low voice. I watched his lovely face and not the blade. Before the story ended, he'd removed the iron sliver I thought I'd die from. I can't remember the tale, but hear his voice still, a well of dark water, a prayer. And I recall his hands, two measures of tenderness he laid against my face.
What is missing in a lot of urban music is perspective. You hear a lot of regurgitated perspective. It's a lot of: out at the club. Had drinks. Patrón. Big booties. It's this regurgitated idea of living in this, I don't know, one-night-stand moment that always starts at the club and Patrón. And so perspective, perspective, perspective is what I'm an advocate of.
Every once in a while a voice appears that cuts through it all. As Hemmingway said, 'the truth has a certain ring to it.' When you hear the voice of Billy Vaughn you will hear the voice of an American manthe type of American who produces a Navy SEAL.
There are a couple of things that are, in the present, floating in front of my face, and once one of them gets enough energy to become a voice that I cannot not hear, then I will become a steamroller. When you've made your film, you stop hearing the voice.
I can't listen to my own voice, I don't like it. You see all your mistakes when you hear your voice. You see all your imperfections.
The first voice they hear is mine, the first touch they feel is mine, the first human face they see is mine. They just think I'm a strange tiger who walks on two legs.
When I read, I hear what's on the page. I don't know whose voice it is, but some voice is reading to me, and when I write my own stories, I hear it, too.
When the kirtan is harmonious with so many people, it’s a tumultuous beautiful sound. We can’t hear just one voice during the chorus; or rather we do hear one voice. But that one voice is actually the sound of everyone’s voice in harmony. That’s our offering to God. And why is it so pleasing to the Lord? Because we are all cooperating for a higher purpose. We are all united for the pleasure of the center, for the pleasure of Krishna, in spite of all our differences.
Primarily I see myself as so much more than a rapper. I really believe I am the voice for a lot of people who don't have that microphone or who can't rap.
If I hear about a tsunami that hit Asia, hundreds of people have lost their lives, and you see it and you hear about it, but you still brush your teeth, still have to go on with your day. But let you get information about one person who you're close to or you're intimate with, it has an almost paralyzing effect.
I hear poets complaining: 'We face what our forebears did not face. We face TV. We face radio. We face this and that.'
This site uses cookies to ensure you get the best experience. More info...
Got it!