A Quote by Ronny Chieng
My style of comedy is probably absurdist, observational, and Olympian.
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First and foremost, I'm an athlete. And I'm an Olympian. I'm not a gay Olympian. I'm just an Olympian that's also gay. I don't mind reading that - like, 'gay Olympian Adam Rippon.' It's fine. I hope that, in a way, it makes it easier for other young kids who are gay. If they go to the Olympics, they can just be called Olympians.
The absurdist is concerned with the search for meaning in the Universe. He believes this search to be meaningless--hence the disintegration of plot, character, and language in absurdist drama. Order is a falsehood that we, God, those who came before us, have imposed on a random universe. However, the absurdist is confronted with a curious paradox: though he believes the Universe to be meaningless, he cannot abandon the search for meaning--or he will die.
I like to describe my stuff as observational comedy.
I'm very observational in my comedy and what I create with the characters that I'm blessed to play. I don't believe comedy needs to be offensive, and I don't believe it needs to be a mockery of anything.
In terms of comedy, there was a Seinfeldian era of comedy that I love but got played out. Seinfeld was great, but then after him it was people acting like Seinfeld and making observations that we felt like we'd kind of heard before, and then you're seeing Seinfeldian comedy in commercials. Suddenly everything is observational funniness.
I love the absurd - kind of absurdist comedy, absurd things in life.
I can do comedy but it's a certain type. I'm not a physical comedy guy. I'm not Will Ferrell - there's just this crazy and get naked and run through the thing screaming. That's just not my style; my style is drama or - I'm not slapstick.
I go to a lot of stand-up comedy. I find more inspiration from observational stuff than from rap.
I'd love to write more observational comedy but the stuff people seem to respond to is the most personal so it's snowballed from there.
Everyone has their personal topics. My comedy has always been very strong on observational humor, it stems from what I see every day in my life.
Comedy doesn't come easy for me. I've only done 2 movies that are really comedy-style films and I have to work at them. And they're just as scary in a way. I hate labeling all these things; comedy, love stories, dark drama, whatever.
My comedy comes from the actual music itself - they're observational musical gags. I could take the music away and it would just be some words.
Don't get me wrong, I'm under no illusions, I've got a very old-school, mainstream leaning to the way I present my comedy because I actually like jokes and don't just do observational stuff.
My standup is observational, but it's self-observational, and it's self-deprecating, definitely.
As soon as I go into a dark subject, like discussing the people I've loved and lost, I off-road into absurdist comedy perversion. It's both a means of protection and a kind of denial, a blessing and a curse. Wait, it's not a blessing at all. I guess it would be a bad habit and a curse.
Saying gay people shouldn't be the punchline is basically saying don't make people the punch line, which I think is ridiculous. The whole point of comedy is, on some level, to make fun of ourselves and put everything into an absurdist context.
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