A Quote by Rosalia

Working with Pharrell was a dream... Collaborations like that are where you come up with sounds that maybe you wouldn't have found otherwise. — © Rosalia
Working with Pharrell was a dream... Collaborations like that are where you come up with sounds that maybe you wouldn't have found otherwise.
I would love to do some collaborations for my album - the more the merrier! It's fun to experiment and get to tap into different genres and sounds through collaborations.
I'd love to work with Pharrell, but it's annoying because everyone is working with him now, and you don't want to be like, 'Oh, I want to work with you, too.' But he is the dream.
Basically for everything that comes out of Five Four, I've come up with the idea or changed it in some way. I'm also working with Putnam Accessory Group, a private label hat manufacturer. I'm in the process of re-branding a line they have called Chuck. It was mostly hats and bags, but I'm adding apparel and eyewear and whatever I feel like adding to turn it more into a brand. I'm supposed to be working with Pharrell on Billionaire Boys Club, but that's on hold.
I was lucky enough to realize my dream. When I was a little kid in Santa Barbara, sitting on the floor in my grandmother's house, dreaming of maybe one day working for Walt Disney, and to have that dream come true, I think that's pretty remarkable.
One of my pleasantest memories as a kid growing up in New Orleans was how a bunch of us kids, playing, would suddenly hear sounds. It was like a phenomenon, like the Aurora Borealis -- maybe. The sounds of men playing would be so clear, but we wouldn't be sure where they were coming from. So we'd start trotting, start running-- 'It's this way! It's this way!' -- And sometimes, after running for a while, you'd find you'd be nowhere near that music. But that music could come on you any time like that. The city was full of the sounds of music.
I would love to work with Pharrell one day. Like, my biggest dream.
I'd like to find someone to procreate with - as sexy as that sounds. If you're out and about and fit the description, come up and say hi. I won't bite. Well, maybe a little, if you're lucky.
I grew up on Dilla, Timbaland, Pharrell, all these drums that are super pocketed, so all those influences come out on a song like 'Ungrateful Eyes,' with all the crazy drum swing.
I remember like that scene with Pharrell where they're at the music video shoot, we have this on camera actually, Pharrell's confused because we weren't doing the script. We were doing all this improv and then Diddy says to him... Pharrell's like I don't understand what's going on and Diddy goes, "We do a lot of improv". (laughter) I remember being we just made him into a comedy nerd. We somehow turned Sean Combs into a comedy nerd, so.
What I ended up learning was that I had to do what I do well, and do it really well and say, 'Maybe there is no pop music that sounds like this now, but I can make it so maybe tomorrow what I like can be what everybody likes.'
I don't really like to write at a desk. I like to write when driving in a car. ... Once you're working on it, you're working on it all the time, and sometimes stuff'll come in the middle of the night, in a dream or something. Your mind is working on it all the time.
It is so gratifying to hear from people who look up to you and see you in these places that they never thought they could ever dream to be. It's emotional. You really feel like you're opening up people's minds, who otherwise thought that they couldn't dream big. That's such a huge opportunity. It's such a gift.
Working on 'Girls' opened up a lot of opportunity for me. It's like a dream job. It's a dream.
Pharrell loves music. When I'm with him, it's like I'm working with someone that I've known all my life, and we're both there to make the sickest track we can.
I think a lot of electronic musicians are drawn to starting with texture because the whole reason we're working with electronics is to try to create new sounds or sounds that cannot be created acoustically. When you're doing that, it's nice to be able to just create a different palette for every single song. I feel like a lot of electronic music sounds like...Each album sounds like a compilation more than it does a band.
There is no Croatian dream. There is no European Union dream. There is no Chinese communist dream, except maybe to get out. But there is and always has been an American dream. And the dream is possible. The dream can become real.
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