A Quote by Rosalind Russell
It's fine to have talent, but talent is the last of it. In an acting career, as in an acting performance, you've got to have vitality. The secret of successful acting is identical with a woman's beauty secret: joy in living.
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Acting opposite big heroes has worked well for my career. Hence, I have decided to do films that have top-notch actors as people take notice of my acting talent too.
I was going to be a High School teacher. I was studying at the University of Alberta in Edmonton, up in Canada. I was also acting in a wonderfully supportive theatre community in Edmonton. There's a lot of support for theatre there. So, I was having a great time, but I didn't consider acting as a serious career initially, because even the most successful actors that I know in Edmonton are not super successful. Acting over there is just not a success-oriented career.
I got some advertisement work and I also did 12 to 15 workshops to enhance my acting skills because there is no alternative to talent; if you don't have talent, then you don't stand a chance.
It's really up to the acting community to be willing to be educated about what performance capture is in order to fully appreciate it as acting. It's not a type of acting, but rather the use of technology to harness an actor's performance and translate it into an ape, another animal, or an avatar of some kind.
Acting for me is like a ping-pong game. That's the secret of acting. When you have a really good actor, I always want to be as good as he is or she is.
My take is that acting is acting. A performance is a performance. With performance capture, if you don't get the performance on the day, you can't enhance the performance.
I love acting. Acting is a true love of mine, acting and math. Although they are both creative, they use very different sides of your brain. And I love both. Acting is my first love, and that's my main career, it really is.
I think I'm most excited about traveling and shooting and spending time in L.A. I have a great talent agency there and, you know, working with my acting coach and really putting in the time and effort to transition into the acting.
I love acting. I think that's the best job in the world, but I don't really enjoy the career of it so much. You don't have as much control over your life or the material as you do, well, certainly when you're a director or a producer, so while I love acting, I prefer to make my living as a filmmaker, but my rule on acting is if somebody asks me to do a part, I'll do it.
Broadly speaking, there are two kinds of acting: character acting and lead acting. And in my life, to begin with, in the 1980s, it was all character acting. And then when, by fluke, through 'Four Weddings', I got into doing lead parts, it's a completely different thing.
Lee Strasberg told me I had talent. Real talent. It was the first time that anyone, except my father--who had to say so--told me I was good. At anything. It was a turning point in my life. I went to bed thinking about acting. I woke up thinking about acting. It was like the roof had come off my life!
I think I've got something when I'm onscreen, but that's nothing to do with acting or talent.
I think I've got something when I'm onscreen, but that's nothing to do with acting or talent
I gave my life to Christ, and I thought that would be it for me, and He was, like, 'No, you're not finished with acting; acting is not finished with you. This is your talent. Go back into it, but you're going back into it with a heart that's not obsessive over it.'
I am just really focused in on what I love doing, but I would be a moron to not take some of my natural talent - I'm not saying I'm that talented, but I have enough acting and writing talent to go.
My first professional acting job was on 'Boss'. My first acting job was basically my first acting class. I had to show up on set prepared and knowing my lines. Also, I got a chance to work with a living legend, Kelsey Grammar - that gave me hands on experience.
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