A Quote by Rosamund Pike
You get those couples who are very fearful of bringing children into the mix because they feel like somehow that link between them as a couple is going to somehow dissolve or become less powerful or whatever. And that somehow the child is going to disrupt their happy stage.
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There are couples who are very fearful of bringing children into the mix because they feel like somehow that link between them as a couple is going to somehow dissolve or become less powerful or whatever. And that somehow the child is going to disrupt their happy stage. Of course it is true, that's exactly what a child does but it's not something to be feared, it's to be embraced.
I think a lot of moms get really scared that if they have a nanny that somehow the child is going to love them less and attach more to the nanny. But, I haven't had that fear.
The thing about kids is that they don't have the broader perspective of what's happening on a national level. Anything that's going wrong in their world, they somehow assume is unique to them and they're somehow to blame. It turns into an issue of shame.
Coming from The Disney Channel, anything I do is going to offend somehow, somewhere, somehow.
That is how you get to be a writer, incidentally: you feel somehow marginal, somehow slightly off-balance all the time.
?"It always seemed somehow less real here... a really detailed dream, but sort of washed out, like a thin watercolor. Softer, somehow, even with their electric light and engines and everything. I guess it was because there was hardly any magic.
Songs don't really feel like me unless I somehow shed a little secret or open myself somehow or be vulnerable. When I'm singing these songs, it feels like me, and that comes with the vulnerabilities and the strengths and the moments of triumph or whatever.
I just feel lucky that I somehow escaped from the confines of the business class... I feel so fortunate that somehow I managed to break out of that world and get to do something that really had more meaning.
This kind of game in which anybody who I know, regardless of how flimsy the relationship is, that somehow their ideas could be attributed to me, I think the American people are smarter than that. They're not going to suggest somehow that that is reflective of my views, because it obviously isn't.
I think I always knew I was going to somehow be on a stage. I was quite an extrovert, as a child. And I did a lot of music, when I was younger, so I thought I was going to go into music, but I fell into acting, in a really weird way.
Going on stage and doing ballet, for the first time, was even more verification of, "This is what I'm meant to do. This is what I'm going to do. I'm going to make it somehow."
You've got to be able to hold a lot of contradictory ideas in your mind without going nuts. I feel like to do my job right, when I walk out on stage I've got to feel like it's the most important thing in the world. Also I've got to feel like, well, it's only rock and roll. Somehow you've got to believe both of those things.
The problem with being a film actress or a movie star is that people see you so huge that somehow you're visually massive or somehow you're in some removed space, which is a television or wherever. It somehow takes your humanity.
We are somehow the children of the planet, we are somehow its finest hour; we bind time, we bind the past, we anticipate the future - we are going hyper-spatial; we are claiming a whole new dimension for biology that it never claimed before. We are actually becoming a fourth-dimensional kind of creature. Our future is somehow with us, as we seem to be able to move through metamorphosis into our own imaginations - a super civilization spread throughout space and time. Our future is a mystery, our destiny is to live in the imagination.
One of the traps of adolescence is the sort of paranoid resentment that somehow you're never going to match up and that everybody else's life is going to be better and finer and fuller. That everyone else attended some secret lesson in which how to live was taught and you had a dental appointment that day, or you were somehow not invited. And the point of great writers like Wilde is that they make that invitation to you.
There's a real separation between actors and all the other functions of Hollywood. If you're an actor you're somehow not a member of the crew. You're somehow more special. I hate that.
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